
Nearly two decades after his first poem was published, Oceano resident Karl Kempton envisioned a new way for Central Coast locals to enjoy poetry, without necessarily having to open a single book or crash an intimate, live reading.
āIn 1983, I thought the area could and should support an annual open poetry festival. I called a meeting inviting several San Luis Obispo city and county poets to discuss the idea,ā said Kempton, who co-created the SLO Poetry Festival with Kevin Patrick Sullivan.
āOnly Kevin saw and felt what I saw and felt. That is how he and I co-founded the festival,ā said Kempton, who explained how the festival gradually expanded over the years. āThe first year it was in Linnaeaās Cafe. It grew each year. Soon we needed to be outside in the street, requiring SLO city approval.ā

Linnaeaās also became the venue for Kempton and Sullivanās monthly poetry reading series, Corners of the Mouth. While Kemptonās traditional poems can be read aloud during this type of event, his visual poems require eyes rather than ears.
āA visual poem is a poem composed such that it requires being seen for the full experience,ā said Kempton, whose visual poems use letters, words, sentences, symbols, diagrams, hieroglyphs, pictographs, and other elements, which he described as becoming ātransformed into new forms and abstractions,ā once combined.
āBy crossing literary and art boundaries, the visual poet works in a field of multimedia, borderblur or intermedia, composing seamless works of fusion,ā said Kempton, a firm admirer of Ralph Waldo Emersonās famous quote, āEvery word was once a poem.ā
āTo explain my visual poetry, I sometimes point to the fact that we are like fish in water; our water is language, especially the written, taken for granted,ā Kempton added. āIts shapes and forms are assumed and ignored; each letter has its own history of development to this moment.ā

When composing his poetry, Kempton often finds inspiration from his surroundings, which often also become muses for his photography pursuits. One of his most treasured subjects isnāt too far from his home in Oceano, where he lives with his wife, Ruth. This coastal gem is also one of the coupleās favorite places to relax and soak in its serene atmosphere, especially when itās not too crowded.
āThe Oceano Dunes, for me and Ruth, provide a place allowing us to remove ourselves to a pristine setting and become transcended by the unspeakable beauty of ever-changing environment,ā Kempton said. āIt was even holier, so to say, during the beach and dune vehicle shutdown caused by the initial phase of COVID. The only sounds were an occasional bird, ocean waves rolling to their roiled ending, a breeze, or slithering sand scooted by the wind.ā
Over just the past three years, Kempton said heās taken thousands of photographs at the Oceano Dunes. Some of these photos were compiled and included in Sandskrit of the Oceano Dunes, one of Kemptonās latest books, published earlier this year.Ā
āMy photography contains moments of captured, abstract writings,ā said Kempton, referring to the āwind writtenā strokes in the sand he sought to capture, being fascinated by their structure that resembled cursive sentences. He described the wavy lines he saw as dazzling, optical sculptures.

Signed copies of Sandskrit of the Oceano Dunes and other books by Kempton can be found locally at the Place on PCH, an art gallery in Oceano. To date, Kemptonās diverse works have been published in more than 60 books and 70 anthologies and showcased in more than 100 group exhibitions.
Kempton lived in various cities around the country and outside the U.S. before moving to the Central Coast in 1975, and he considers this region home and hasnāt relocated since.
āI live where folks come to visit and vacation,ā said Kempton, who was seeking a peaceful place to live āoutside urban densityā when he decided to move here from Sacramento.
āOnce here, I stayed,ā he said. āFor me, this is truly home.ā
Arts Editor Caleb Wiseblood is a lifelong Central Coast resident. Send comments to cwiseblood@santamariasun.com.
This article appears in Dec 23-30, 2021.

