Thursday, June 4, 2020     Volume: 21, Issue: 14
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Santa Maria Sun / Film

This weeks review
AD ASTRA
BINGABLE: ABANDONED (2016)
BINGEABLE: Barry
BINGEABLE: CASA DE LAS FLORES
BINGEABLE: FLEABAG
BINGEABLE: GRACE AND FRANKIE
BINGEABLE: NATIONAL GEOGRAPHIC DOCUMENTARIES
BINGEABLE: OUTLANDER (2014-present)
BINGEABLE: PRIDE AND PREJUDICE (1995)
BINGEABLE: STRANGER THINGS 3
BINGEABLE: THE SINNER (SEASON 2)
BLAST FROM THE PAST: COOL RUNNINGS (1993)
BLAST FROM THE PAST: FISH TANK (2009)
BLAST FROM THE PAST: HOUSE
BLAST FROM THE PAST: OLDBOY
BLAST FROM THE PAST: RAIDERS OF THE LOST ARK
BLAST FROM THE PAST: ROBOCOP
BLAST FROM THE PAST: THE MATRIX
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: WILD AT HEART
BLAST FROM THE PAST: YOU’VE GOT MAIL
BLOW THE MAN DOWN
DICK TRACY (1990)
DOCTOR SLEEP
DRAGGED ACROSS CONCRETE
EMMA
FORD V FERRARI
GUILTY PLEASURES: CHEER (2020)
HAVE A GOOD TRIP: ADVENTURES IN PSYCHEDELICS
HEARST CASTLE: BUILDING THE DREAM
JOJO RABBIT
KNIVES OUT
LIGHT OF MY LIFE
MOTHERLESS BROOKLYN
PLANET OF THE HUMANS (2020)
SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE (2011)
THE BIGGEST LITTLE FARM
THE LIGHTHOUSE
THE PEANUT BUTTER FALCON
THE VAST OF NIGHT
THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA (2009)
TROOP ZERO
TV REVIEW: BIG MOUTH
TV REVIEW: BOSCH
TV REVIEW: HOMECOMING
TV REVIEW: HOW TO FIX A DRUG SCANDAL (2020)
TV REVIEW: HUNTERS
TV REVIEW: LIFE BELOW ZERO (2013-present)
TV REVIEW: LITTLE AMERICA
TV REVIEW: MRS. AMERICA
TV REVIEW: PANDEMIC: HOW TO PREVENT AN OUTBREAK (2020)
TV REVIEW: RUN
TV REVIEW: SELF MADE: INSPIRED BY THE LIFE OF MADAM C.J. WALKER
TV REVIEW: TABOO
TV REVIEW: THE END OF THE F***ING WORLD
TV REVIEW: THE MIDNIGHT GOSPEL
TV REVIEW: THE PLOT AGAINST AMERICA
TV REVIEW: TIGER KING: MURDER, MAYHEM, AND MADNESS
TV REVIEW: UNDONE
TV REVIEW: WHAT WE DO IN THE SHADOWS
UNCUT GEMS
UNDERRATED: BATMAN BEGINS
UNDERRATED: DOUBLE DRAGON (1994)
UNDERRATED: INSOMNIA
UNDERRATED: SHUTTER ISLAND
UNDERRATED: THE BATTERED BASTARDS OF BASEBALL
YESTERDAY

The High Note is pay-per-view charmer

THE HIGH NOTE

PHOTO BY , COURTESY OF FOCUS FEATURES

THE HIGH NOTE


Where is it playing?: Pay $19.99 to stream on Amazon Prime, Apple TV, Xfinity, Vudu, Google Play, Fandango Now

What's it rated?: PG-13

What's it worth?: $Full price (Glen Starkey)

What's it worth?: $Matinee (Glen Starkey)

User Rating: 0.00 (0 Votes)

Nisha Ganatra (Chutney Popcorn, Fast Food High, Cake, Last Night) directs this screenplay by Flora Greeson about superstar singer Grace Davis (Tracee Ellis Ross) and her overworked personal assistant, Maggie (Dakota Johnson), who dreams of being a music producer. (113 min).

Glen: First of all, oh my God it feels great to watch a new first-run film! It’s been 12 weeks since we’ve been to the theater, with no return in sight. When I saw the advertisement for The High Note, I impulse-ordered it out of desperation to see a new theater-worthy film, and it didn’t disappoint. This is a funny and poignant story of a venerated singer who’s fallen into a rut. Grace knows that historically a black woman older than 40 doesn’t make new hits. Her best option may be to take a residency in Vegas where she can churn out the same show night after night for the next several years. It’s a fate she wants to avoid, but she’s lost faith in herself. The film’s exploration of race, gender, and age feels real. Meanwhile, Maggie represents the impossible odds of breaking into the business as a producer, which is often a male role. She hopes and dreams Grace will give her a shot, but Grace is a self-involved monster! She’s so demanding of Maggie that it’s unimaginable she doesn’t walk off the job on any given day. Maggie’s dream to produce eventually brings her to David Cliff (Kelvin Harrison Jr.), a gifted writer and singer who makes a play for Maggie in a grocery store. With a gorgeously filmed LA as a backdrop, the story moves to a surprising conclusion that admittedly wraps itself into too neat a bow, but considering this is feel-good fairy tale, it’s a forgivable dollop of treacle. 

Anna: I say pile on all the feel-good films you can right now; we all need a little pep in our step after months of isolation! This charming and funny flick is just the right blend of sappy sweet goodness and quick-witted banter. Maggie has a vision for her life but no one to take her seriously. She’s been Grace’s personal assistant for three years now, and there looks to be no hope of it taking her anywhere except to pick up the superstar’s dry cleaning. Grace is a total terror—über demanding and prone to gigantic mood swings, and she expects Maggie to be at her beck and call 24/7. When she’s not working her ass off to make Grace’s life run smoothly, Maggie is at home working at remixing and revamping music she’s pretty sure no one will ever actually hear. One thing I can say, this woman doesn’t shy away from taking a leap—when she gets a chance to show off her skills, she runs with it. While inevitably that means she will crash and burn sometimes, it also leaves her a glimmer of hope for the road ahead and her dream of breaking into the business. Watching this was a great way to spend the afternoon, and it just left me feeling good, which I so needed.

Glen: It is very funny, in part because of Grace’s house manager, Gail (June Diana Raphael), a lazy, vapid jerk who’s in it for the easy life in Grace’s pool house and her designer hand-me-downs. Then there’s Maggie’s roommate, Katie (Zoe Chao), a brash bestie willing to kick Maggie in the butt when she’s down. Add in Grace’s surly manager, Jack Robertson (Ice Cube), and a cadre of shallow, banal music industry flacks, and there are plenty of people to sneer at. Much of the film’s heart comes from Maggie’s single dad, Max (Bill Pullman), a radio DJ who instilled in his daughter both a love of music and an encyclopedic knowledge of it, and Dan Deakins (Eddie Izzard), another music star in the twilight of his career who unlike Grace is willing to help Maggie. This is a recipe for a real crowd pleaser. Oh, and Tracee Ellis Ross, who plays Grace, is Diana Ross’ daughter singing publicly for the first time. Well worth the $20, which is about matinee price for two.

Anna: I’ll definitely be down for watching new releases on the home screen as we wait out COVID-19. While I still prefer the dark ambience of a big theater, it was a welcome treat. Both Ross and Harrison have some serious pipes, and the film boasts a great soundtrack. Johnson was great as Maggie—a bit flustered and fumbling, but cool, calm, and collected when she needs to be. Between the blossoming romance with Maggie and David and the antics of a richer-than-God superstar diva, this movie has a little something for everyone. I agree, I think this is a great matinee-priced movie—it’s a little cheesy and somewhat silly, but I had fun watching it, and it brought a smile to my face in the end. Check it out when you need a dose of cute. 

New Times Senior Staff Writer Glen Starkey and freelancer Anna Starkey write Sun Screen. Glen compiles streaming listings. Comment at gstarkey@newtimesslo.com.








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