One of the most hidden aspects of an artist’s work is the process by which it was created. In the Betteravia Gallery’s latest exhibition, “The Audacity of Process: An Exploration in Diverse Practices,” that secretive method is coming to light—brought by the artists themselves.
Curated by John Hood, professor of art at Allan Hancock College and the county’s 5th District arts commissioner, the exhibition explores the variety of processes in the work of Peg Grady, Carey Reimer, Amanda Hoopingarner, Larry Delinger, Bob Burridge, Autumn Jennings, Dave Passage, and Karen Carson. Alongside each artist’s work is a written description of what went into its creation.
Hood said he looked for talent that highlights the diversity of the process.
“Each artist brings with them a unique set of approaches, which, as a teacher, both intrigues and inspires my own work,” Hood explained.
The process isn’t often visible—not just because of a focus on the art itself, but also by intention. Many artists don’t like to divulge how their masterpieces came to be. Hood mentioned how many artists of the Parisian Avant-garde movement in the early 20th century would hide their methods from Picasso so he couldn’t learn what they did and use it to do something greater.
The artists showing in this exhibition, however, are all willing to reveal all. Hood said the exhibition showcases both advanced and emerging artists.
“I tried to find artists that I don’t show too often but that are known to the area,” he said. “I got a really good mix of diversity for this show.”
Hood said he was also pleased to have artists like Grady and Burridge, who are pretty consistent in their process and have a well-known characteristic, making it especially interesting for audiences to understand the background.
Hood said he hopes observers will take the time to investigate and appreciate the process inherent in creating excellent art.
Arts Editor Shelly Cone processes food. Contact her at scone@santamariasun.com.
This article appears in Dec 1-8, 2011.