Sunday, April 5, 2020     Volume: 21, Issue: 5
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Santa Maria Sun / Film

This weeks review
1917
AD ASTRA
BINGABLE: ABANDONED (2016)
BINGABLE: DON’T F**K WITH CATS: HUNTING AN INTERNET KILLER (2019)
BINGEABLE: Barry
BINGEABLE: CASA DE LAS FLORES
BINGEABLE: FLEABAG
BINGEABLE: GRACE AND FRANKIE
BINGEABLE: NATIONAL GEOGRAPHIC DOCUMENTARIES
BINGEABLE: OUTLANDER (2014-present)
BINGEABLE: PRIDE AND PREJUDICE (1995)
BINGEABLE: RUSSIAN DOLL
BINGEABLE: STRANGER THINGS 3
BINGEABLE: THE PEOPLE V. O.J. SIMPSON: AMERICAN CRIME STORY
BINGEABLE: THE SINNER (SEASON 2)
BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN)
BLAST FROM THE PAST: COOL RUNNINGS (1993)
BLAST FROM THE PAST: FISH TANK (2009)
BLAST FROM THE PAST: HOUSE
BLAST FROM THE PAST: OLDBOY
BLAST FROM THE PAST: RAIDERS OF THE LOST ARK
BLAST FROM THE PAST: ROBOCOP
BLAST FROM THE PAST: THE MATRIX
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: WILD AT HEART
BLAST FROM THE PAST: YOU’VE GOT MAIL
BLOODSHOT
DOCTOR SLEEP
EMMA
FORD V FERRARI
GUILTY PLEASURE: THE HANGOVER
GUILTY PLEASURES: CHEER (2020)
GUILTY PLEASURES: GIRL MEETS WORLD (2014-2017)
HATEWATCH: 92ND ACADEMY AWARDS (2020)
HATEWATCH: NAILED IT!
HATEWATCH: THE WITCHER (2019)
HEARST CASTLE: BUILDING THE DREAM
I STILL BELIEVE
JOJO RABBIT
JOKER
KNIVES OUT
LITTLE WOMEN
MOTHERLESS BROOKLYN
ONCE UPON A TIME … IN HOLLYWOOD
ONWARD
THE ART OF RACING IN THE RAIN
THE BIGGEST LITTLE FARM
THE CALL OF THE WILD
THE GENTLEMEN
THE HUNT
THE INVISIBLE MAN
THE LIGHTHOUSE
THE PEANUT BUTTER FALCON
THE WAY BACK
TV REVIEW:
TV REVIEW: LITTLE FIRES EVERYWHERE
TV REVIEW: SELF MADE: INSPIRED BY THE LIFE OF MADAM C.J. WALKER
TV REVIEW: TABOO
TV REVIEW: WESTWORLD (Season 3 debut)
UNCUT GEMS
UNDERRATED: BATMAN BEGINS
UNDERRATED: DOUBLE DRAGON (1994)
UNDERRATED: INSOMNIA
UNDERRATED: SHUTTER ISLAND
UNDERRATED: THE BATTERED BASTARDS OF BASEBALL
UNDERRATED: THE FALLING
YESTERDAY
ZOMBIELAND: DOUBLE TAP

Zombieland: Double Tap is another laugh-out-loud comedy-horror romp

ZOMBIELAND: DOUBLE TAP

PHOTO BY PHOTO COURTESY OF METRO-GOLDWYN-MAYER

ZOMBIELAND: DOUBLE TAP


Where is it playing?: Movies Lompoc, Parks Plaza, Stadium 14

What's it rated?: R

What's it worth?: $Full price (Anna Starkey)

What's it worth?: $Full price (Glen Starkey)

User Rating: 0.00 (0 Votes)

Ruben Fleischer (Venom, Gangster Squad) directs this sequel to his 2009 comedy horror film, Zombieland, about four survivors—Columbus (Jesse Eisenberg), Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin)—navigating a zombie apocalypse wasteland. In this follow-up, they slay a whole lot of zombies and encounter other survivors such as Madison (Zoey Deutch), Nevada (Rosario Dawson), Berkeley (Avan Jogia), Albuquerque (Luke Wilson), and Flagstaff (Thomas Middleditch). Somehow, Bill Murray—slain in the original—returns to play himself. (99 min.)

Glen: Set a few years after the original, this sequel finds America still overrun by zombies. Our four seasoned protagonists have gotten so good at killing zombies that they’ve even developed a taxonomy: Homers are the slow, easy-to-kill dimwitted zombies; Ninjas are the crafty zombies that can sneak up on you; and Hawkings are the super-smart zombies that are hard to evade. To spice things up, there’s a new kind of zombie, the T-800, a relentless, hard-to-kill zombie. The four are living in the White House, but they’re feeling restless, especially Little Rock, who’s tired of Tallahassee’s mothering and wants to meet someone her own age. Even Columbus and Wichita’s romance is becoming strained. Naturally, change is in the air. What follows is something of a road movie, albeit one populated by flesh-eating monsters and other survivors. Filled with the same pithy dialogue and gore of the original, Double Tap ups the ante with a bunch of new characters, a trip to Graceland, the search for a hippie utopia called Babylon, and a spectacular conclusion … that then gets even better during the credits with a flashback to the first day of the zombie apocalypse. The whole affair is a hoot!

Anna: Double Tap is a whole lot of fun in a world jam packed with zombies, just like the first Zombieland. The crew has done well sticking together, but the monotony of day-to-day living is getting to them. Time for an adventure through the zombie-strewn wasteland of America! I’ve watched the first Zombieland countless times—something about that formula of humor and gore just calls to me—and I wasn’t disappointed with the follow-up. The same characters are there but they are also changed, after all it’s been a few years and they’ve all had some growing up to do—Little Rock especially. The young girl from the first film is now a young woman, one who feels cut off from her peers and lonely despite her constant companions. Harrelson is his usual awesome self as Tallahassee, in love with his big-ass truck and super overprotective of the young girl he helped raise. Wichita feels stifled by Columbus and soon takes off with her sister in a fly-by-night escape, leaving the two men in the dust. When Little Rock hooks up along the way with Berkeley, a hippie dude, the whole crew is back together in search of her along with Columbus’ new side piece, Madison, a ditzy blonde clad in all pink who has survived by living in a freezer at the mall. You can just imagine how much the rest of the crew loves their new tagalong friend. This movie is a whole lot of fun, and I have to agree the ending took the movie from good to great.

Glen: One of the running gags in the Zombieland reality is that you can take whatever you want. We see Van Gogh paintings hanging on the wall; when Columbus asks Wichita to marry him, he proposes with the Hope Diamond; and when they arrive at Graceland and see it fallen to ruin, they discover that Nevada (Dawson) has decorated her house with everything from the King’s blue suede shoes to his white jumpsuit. Dawson is a terrific addition to the cast. She’s a badass and just the kind of larger-than-life woman to attract the larger-than-life Tallahassee. Yes, of course Harrelson dons the jumpsuit! You can tell the whole cast is having fun making this film. Of course, this is a minor entertainment. It’s not trying to outdo the original, just recapture its magic. It’s just a breezy, gag-filled romp. Quintessential dumb blonde, Madison, is the butt of a lot of jokes, but even she has a little character arc as she learns to use sarcasm. Little Rock realizes that Berkeley is a poser and that she’s much too tough for him. All the main characters, who spend this sequel searching for a home to call their own, eventually realize that their home can be found in one another. It’s not exactly profound, but it is sweet. Mostly, Double Tap is fun, and sometimes that’s all you need out of a movie.

Anna: Exactly, this franchise doesn’t take itself too seriously and that’s half the fun. The writers seem to know the first film can’t be outdone by the follow-up, and that’s OK. Don’t take it all too seriously, and you’ll have fun re-entering this world with the cast of characters we met a decade ago. The final battle for Babylon is epic, but the real treat happens just as you think the film is over. Don’t hop up from your seat early! Double Tap is a joyous ride, and I’m betting if you loved the first one as much as I did, any excuse to re-enter their world is welcome. There’s a great scene where two doppelgangers played by Luke Wilson and Thomas Middleditch confront Tallahassee and Columbus. It had me giggling like crazy. Dawson is awesome as the badass motel baroness, and Zoey Deutch pulls off airhead Madison perfectly. There’s just a lot of fun to be had here. It’s definitely worth a trip to the theater. 

Sun Screen is written by New Times Senior Staff Writer Glen Starkey and his wife, Anna. Comment at gstarkey@newtimesslo.com.








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