Sunday, March 29, 2020     Volume: 21, Issue: 4
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Santa Maria Sun / Film

This weeks review
1917
AD ASTRA
BINGABLE: ABANDONED (2016)
BINGABLE: DON’T F**K WITH CATS: HUNTING AN INTERNET KILLER (2019)
BINGEABLE: Barry
BINGEABLE: CASA DE LAS FLORES
BINGEABLE: FLEABAG
BINGEABLE: GRACE AND FRANKIE
BINGEABLE: NATIONAL GEOGRAPHIC DOCUMENTARIES
BINGEABLE: OUTLANDER (2014-present)
BINGEABLE: PRIDE AND PREJUDICE (1995)
BINGEABLE: RUSSIAN DOLL
BINGEABLE: STRANGER THINGS 3
BINGEABLE: THE PEOPLE V. O.J. SIMPSON: AMERICAN CRIME STORY
BINGEABLE: THE SINNER (SEASON 2)
BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN)
BLAST FROM THE PAST: COOL RUNNINGS (1993)
BLAST FROM THE PAST: FISH TANK (2009)
BLAST FROM THE PAST: HOUSE
BLAST FROM THE PAST: OLDBOY
BLAST FROM THE PAST: RAIDERS OF THE LOST ARK
BLAST FROM THE PAST: ROBOCOP
BLAST FROM THE PAST: THE MATRIX
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: WILD AT HEART
BLAST FROM THE PAST: YOU’VE GOT MAIL
BLOODSHOT
DOCTOR SLEEP
DOWNHILL
EMMA
FANTASY ISLAND
FORD V FERRARI
GUILTY PLEASURE: THE HANGOVER
GUILTY PLEASURES: CHEER (2020)
GUILTY PLEASURES: GIRL MEETS WORLD (2014-2017)
HATEWATCH: 92ND ACADEMY AWARDS (2020)
HATEWATCH: NAILED IT!
HATEWATCH: THE WITCHER (2019)
HEARST CASTLE: BUILDING THE DREAM
I STILL BELIEVE
JOJO RABBIT
JOKER
JUST MERCY
KNIVES OUT
LITTLE FIRES EVERYWHERE
LITTLE WOMEN
MOTHERLESS BROOKLYN
MY HERO ACADEMIA: HEROES RISING
ONCE UPON A TIME … IN HOLLYWOOD
ONWARD
SONIC THE HEDGEHOG
THE ART OF RACING IN THE RAIN
THE BIGGEST LITTLE FARM
THE CALL OF THE WILD
THE GENTLEMEN
THE HUNT
THE INVISIBLE MAN
THE LAST FULL MEASURE
THE LIGHTHOUSE
THE PEANUT BUTTER FALCON
THE WAY BACK
UNCUT GEMS
UNDERRATED: BATMAN BEGINS
UNDERRATED: DOUBLE DRAGON (1994)
UNDERRATED: INSOMNIA
UNDERRATED: SHUTTER ISLAND
UNDERRATED: THE BATTERED BASTARDS OF BASEBALL
UNDERRATED: THE FALLING
WESTWORLD (Season 3 debut)
YESTERDAY
ZOMBIELAND: DOUBLE TAP

UNDERRATED: BATMAN BEGINS

PHOTO BY PHOTO COURTESY OF WARNER BROS. PICTURES

UNDERRATED: BATMAN BEGINS


Where is it playing?: Netflix, Amazon Prime, iTunes

What's it rated?: PG-13

User Rating: 0.00 (0 Votes)

The only complaint I have when it comes to The Dark Knight, a nearly flawless film, is how much it tends to overshadow its predecessor, Batman Begins. In fact, many people didn’t even realize The Dark Knight was a sequel, at least at the time of its release. It’s a testament to how well the film stands on its own, but I still can’t help but pity those poor, unfortunate souls who missed out on Christian Bale’s first outing as the Caped Crusader.

It had been eight years since the ultra campy Batman & Robin (1997)—universally hated, except by ME of all people (but that’s a discussion for another time)—graced theaters only to be met with boos and walk-outs. Enter director Christopher Nolan, a man with a vision. A vision so pure, so godlike, it nearly blinded my unworthy mortal 12-year-old eyes as I sat in awe, staring up at a screen inhabited by a sword-wielding ninja version of Liam Neeson (this was three years before Taken, mind you, so he wasn’t exactly the rich man’s Chuck Norris yet).

I’m of course recalling a specific sequence in the film in which Henri Ducard (Neeson) and Bruce Wayne (Bale) are duking it out on a glacier. The constant cracking of the ice combined with Hans Zimmer and James Newton Howard’s taut score is haunting. Sorry if this sounds like I’m geeking out on an unhealthy level, but I’m already too many words in to go back and take a more objective stance.

And while I’m at it, I think enough years have passed to discuss the twist with Neeson’s character. Although he is Wayne’s mentor, providing him with the necessary martial arts training to later become Batman, Ducard’s true identity is Ra’s al Ghul—the film’s big baddie. What made the reveal interesting was the fact that Batman didn’t have to square off against a costumed villain for once, although we still get one in the form of Dr. Jonathan Crane, aka Scarecrow (Cillian Murphy).

Murphy is chilling in the role, although the character is ultimately just one of Ra’s al Ghul’s pawns. The same can be said of mob boss Carmine Falcone (Tom Wilkinson). The film is full of bad guys, which is ironic because its biggest strength is prioritizing focus on Bruce Wayne/Batman (obviously not one of my strengths so far). Prior Batman films were consistently criticized for their “villain of the week” attitude, but Batman Begins was inarguably the first to break that curse.

I haven’t even touched on Bale’s performance, which is a massive shame on my part, because he’s brilliant. I get why people love to make fun of his growly Batman voice, but I feel like he gets it just right in this one. It’s the other two where things go overboard (“WHERE’S THE TRIGGER?!”). (140 min.) 

—Caleb Wiseblood








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How are you occupying your time during this pandemic?

Catching up on movies and books I've been wanting to read or watch.
Enjoying the extra time at home with my family.
Going hiking or running as much as possible.
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