Sunday, September 19, 2021     Volume: 22, Issue: 29
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Santa Maria Sun / Film

This weeks review
A QUIET PLACE PART II
ANOTHER ROUND
BINGEABLE: 100 FOOT WAVE (2021-)
BINGEABLE: BARRY (2018-)
BINGEABLE: FLEABAG (2016-2019)
BINGEABLE: SWEET TOOTH
BINGEABLE: THE WHITE LOTUS
BINGEABLE: TITANS (2018-)
BLACK WIDOW
BLAST FROM THE PAST: CARRIE (1976)
BLAST FROM THE PAST: THE MATRIX (1999)
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: WILD AT HEART (1990)
BOSS LEVEL
CANDYMAN
GUILTY PLEASURE: BACHELOR IN PARADISE (2014-)
GUILTY PLEASURES: CHEER (2020)
GUILTY PLEASURES: GUNPOWDER MILKSHAKE
GUILTY PLEASURES: JOLT
HAVE A GOOD TRIP: ADVENTURES IN PSYCHEDELICS
HEARST CASTLE: BUILDING THE DREAM (1996)
I CARE A LOT
I’M THINKING OF ENDING THINGS
IRRESISTIBLE
LIMBO
MISHA AND THE WOLVES (2021)
NEW FLICKS: BLOOD RED SKY
NEW FLICKS: CODA
NEW FLICKS: CRUELLA
NEW FLICKS: REMINISCENCE
NEW FLICKS: SWEET GIRL
NEW FLICKS: THE SUICIDE SQUAD
NEW FLICKS: VAL (2021)
NINE DAYS
NO SUDDEN MOVE
PIG
ROADRUNNER: A FILM ABOUT ANTHONY BOURDAIN (2021)
SOUL
THE BIGGEST LITTLE FARM (2019)
THE LAST BLOCKBUSTER (2020)
THE MAP OF TINY PERFECT THINGS
THE NEW MUTANTS
THE PAPER TIGERS
THE PROFESSOR AND THE MADMAN
THE SUNLIT NIGHT
TV REVIEW: A WILDERNESS OF ERROR (2020)
TV REVIEW: BATES MOTEL
TV REVIEW: DEFENDING JACOB
TV REVIEW: EXTERMINATE ALL THE BRUTES (2021)
TV REVIEW: HELL ON WHEELS (2011-2016)
TV REVIEW: HOMECOMING
TV REVIEW: HOW TO WITH JOHN WILSON
TV REVIEW: I KNOW THIS MUCH IS TRUE
TV REVIEW: I MAY DESTROY YOU
TV REVIEW: LENOX HILL
TV REVIEW: LITTLE AMERICA
TV REVIEW: MARE OF EASTTOWN
TV REVIEW: MRS. AMERICA
TV REVIEW: ONE MISSISSIPPI
TV REVIEW: PAINTING WITH JOHN (2021)
TV REVIEW: RAMY
TV REVIEW: RUN
TV REVIEW: SPACE FORCE
TV REVIEW: TABOO
TV REVIEW: TED LASSO (2020-)
TV REVIEW: THE BOYS
TV REVIEW: THE END OF THE F***ING WORLD
TV REVIEW: THE FLIGHT ATTENDANT
TV REVIEW: THE LAST KINGDOM
TV REVIEW: THE MIDNIGHT GOSPEL
TV REVIEW: THE MOST DANGEROUS ANIMAL OF ALL (2020)
TV REVIEW: THE PLOT AGAINST AMERICA
TV REVIEW: THE QUEEN’S GAMBIT
TV REVIEW: THE VOW
TV REVIEW: TREADSTONE (2019)
TV REVIEW: UNDONE
TV REVIEW: WANDAVISION
TV REVIEW: WARRIOR
TV REVIEW: WHAT WE DO IN THE SHADOWS
TV REVIEW: ZEROZEROZERO
UNDERRATED: BATMAN BEGINS (2005)
UNDERRATED: THE KINGDOM (2007)

UNDERRATED: BATMAN BEGINS (2005)

PHOTO BY PHOTO COURTESY OF WARNER BROS. PICTURES

UNDERRATED: BATMAN BEGINS (2005)


Where is it playing?: Amazon Prime, iTunes

What's it rated?: PG-13

User Rating: 0.00 (0 Votes)

The only complaint I have when it comes to The Dark Knight, a nearly flawless film, is how much it tends to overshadow its predecessor, Batman Begins. In fact, many people didn’t even realize The Dark Knight was a sequel, at least at the time of its release. It’s a testament to how well the film stands on its own, but I still can’t help but pity those poor, unfortunate souls who missed out on Christian Bale’s first outing as the Caped Crusader.

It had been eight years since the ultra campy Batman & Robin (1997)—universally hated, except by ME of all people (but that’s a discussion for another time)—graced theaters only to be met with boos and walk-outs. Enter director Christopher Nolan, a man with a vision. A vision so pure, so godlike, it nearly blinded my unworthy mortal 12-year-old eyes as I sat in awe, staring up at a screen inhabited by a sword-wielding ninja version of Liam Neeson (this was three years before Taken, mind you, so he wasn’t exactly the rich man’s Chuck Norris yet).

I’m of course recalling a specific sequence in the film in which Henri Ducard (Neeson) and Bruce Wayne (Bale) are duking it out on a glacier. The constant cracking of the ice combined with Hans Zimmer and James Newton Howard’s taut score is haunting. Sorry if this sounds like I’m geeking out on an unhealthy level, but I’m already too many words in to go back and take a more objective stance.

And while I’m at it, I think enough years have passed to discuss the twist with Neeson’s character. Although he is Wayne’s mentor, providing him with the necessary martial arts training to later become Batman, Ducard’s true identity is Ra’s al Ghul—the film’s big baddie. What made the reveal interesting was the fact that Batman didn’t have to square off against a costumed villain for once, although we still get one in the form of Dr. Jonathan Crane, aka Scarecrow (Cillian Murphy).

Murphy is chilling in the role, although the character is ultimately just one of Ra’s al Ghul’s pawns. The same can be said of mob boss Carmine Falcone (Tom Wilkinson). The film is full of bad guys, which is ironic because its biggest strength is prioritizing focus on Bruce Wayne/Batman (obviously not one of my strengths so far). Prior Batman films were consistently criticized for their “villain of the week” attitude, but Batman Begins was inarguably the first to break that curse.

I haven’t even touched on Bale’s performance, which is a massive shame on my part, because he’s brilliant. I get why people love to make fun of his growly Batman voice, but I feel like he gets it just right in this one. It’s the other two where things go overboard (“WHERE’S THE TRIGGER?!”). (140 min.) 

—Caleb Wiseblood










Weekly Poll
What should Santa Barbara County prioritize for regulation and ordinance updates?

Cannabis all the way. Growers should be required to get a conditional use permit.
Child care facilities deserve our attention. There are too many barriers for these businesses.
It's not glamorous, but wireless communication needs to come into compliance with federal rules.
The environment should be prioritized. Oil and gas operations on land need more regulations.

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