Monday, February 6, 2023     Volume: 23, Issue: 49
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Santa Maria Sun / Film

This weeks review
MISSING
A MAN CALLED OTTO
A QUIET PLACE PART II
AMSTERDAM
ANOTHER ROUND
BARBARIAN
BINGEABLE: 100 FOOT WAVE (2021)
BINGEABLE: 1923 (2022-present)
BINGEABLE: A FRIEND OF THE FAMILY (2022)
BINGEABLE: A LEAGUE OF THEIR OWN (2022)
BINGEABLE: ANATOMY OF A SCANDAL (2022)
BINGEABLE: ANDOR (2022-present)
BINGEABLE: BARRY (2018-present)
BINGEABLE: BLACK BIRD (2022)
BINGEABLE: BLACK SUMMER (2019-2021)
BINGEABLE: CASTLEVANIA (2017-2021)
BINGEABLE: CHEER (2020-present)
BINGEABLE: ECHO 3 (2022)
BINGEABLE: FLEABAG (2016-2019)
BINGEABLE: FLEISHMAN IS IN TROUBLE (2022)
BINGEABLE: GOSSIP GIRL (2021-present)
BINGEABLE: HACKS (2021-present)
BINGEABLE: INSIDE MAN (2022)
BINGEABLE: JOE PICKETT (2021)
BINGEABLE: KUNG FU (2021)
BINGEABLE: LAST LIGHT (2022)
BINGEABLE: LIFE & BETH (2022)
BINGEABLE: MAID (2021)
BINGEABLE: MIDNIGHT MASS (2021)
BINGEABLE: ONLY MURDERS IN THE BUILDING (SEASON 2) (2022)
BINGEABLE: SLOW HORSES (2022)
BINGEABLE: SQUID GAME (2021)
BINGEABLE: STATION ELEVEN (2021)
BINGEABLE: SWEET TOOTH
BINGEABLE: TELL ME YOUR SECRETS (2021)
BINGEABLE: THE BEAR (2022)
BINGEABLE: THE ENGLISH (2022)
BINGEABLE: THE GREAT (2020-present)
BINGEABLE: THE WHITE LOTUS (SEASON 2) (2022)
BINGEABLE: THREE PINES (2022-present)
BINGEABLE: TULSA KING (2022-2023)
BINGEABLE: WEDNESDAY (2022)
BINGEABLE: WELCOME TO WREXHAM (2022-present)
BINGEABLE: WILLOW (2022)
BINGEABLE: YELLOWJACKETS (2021-present)
BLACK PANTHER: WAKANDA FOREVER
BLAST FROM THE PAST: A.I. ARTIFICIAL INTELLIGENCE (2001)
BLAST FROM THE PAST: COWBOY BEBOP (1998)
BLAST FROM THE PAST: THE MATRIX (1999)
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: THE SHOOTING (1966)
BLAST FROM THE PAST: WILD AT HEART (1990)
ENOLA HOLMES 2
GLASS ONION: A KNIVES OUT MYSTERY
GUILLERMO DEL TORO’S PINOCCHIO
GUILTY PLEASURES: GUNPOWDER MILKSHAKE
GUILTY PLEASURES: JOLT
HAVE A GOOD TRIP: ADVENTURES IN PSYCHEDELICS
HEARST CASTLE: BUILDING THE DREAM (1996)
I CARE A LOT
I’M THINKING OF ENDING THINGS
NEW FLICKS: ANTLERS
NEW FLICKS: BABYLON
NEW FLICKS: BEST SELLERS
NEW FLICKS: BULLET TRAIN
NEW FLICKS: CAUSEWAY
NEW FLICKS: CRUELLA
NEW FLICKS: DAY SHIFT
NEW FLICKS: DISENCHANTED
NEW FLICKS: FINCH
NEW FLICKS: FRESH
NEW FLICKS: GEORGE CARLIN’S AMERICAN DREAM (2022)
NEW FLICKS: HUSTLE
NEW FLICKS: I WANT YOU BACK
NEW FLICKS: KATE
NEW FLICKS: MONTANA STORY
NEW FLICKS: MY POLICEMAN
NEW FLICKS: PREY
NEW FLICKS: RED NOTICE
NEW FLICKS: SIGNIFICANT OTHER
NEW FLICKS: THE GOOD NURSE
NEW FLICKS: THE GRAY MAN
NEW FLICKS: THE NORTHMAN
NEW FLICKS: THE OUTFIT
NEW FLICKS: THIRTEEN LIVES
NEW FLICKS: WATERMAN (2021)
NINE PERFECT STRANGERS (2021)
PIG
THE BATMAN
THE BIGGEST LITTLE FARM (2019)
THE MAP OF TINY PERFECT THINGS
THE MENU
THE PAPER TIGERS
THE SUNLIT NIGHT
THE WHALE
THE WOMAN KING
THREE THOUSAND YEARS OF LONGING
TV REVIEW: BATES MOTEL
TV REVIEW: DEFENDING JACOB
TV REVIEW: HOMECOMING
TV REVIEW: HOW TO WITH JOHN WILSON
TV REVIEW: LENOX HILL
TV REVIEW: LITTLE AMERICA
TV REVIEW: MRS. AMERICA
TV REVIEW: ONE MISSISSIPPI
TV REVIEW: PAINTING WITH JOHN (2021)
TV REVIEW: RAMY
TV REVIEW: RUN
TV REVIEW: SPACE FORCE
TV REVIEW: TED LASSO (2020-present)
TV REVIEW: THE BOYS
TV REVIEW: THE END OF THE F***ING WORLD
TV REVIEW: THE FLIGHT ATTENDANT
TV REVIEW: THE LAST KINGDOM
TV REVIEW: THE MIDNIGHT GOSPEL
TV REVIEW: THE QUEEN’S GAMBIT
TV REVIEW: UNDONE
TV REVIEW: WARRIOR
TV REVIEW: WHAT WE DO IN THE SHADOWS
TV REVIEW: ZEROZEROZERO
UNDERRATED: BATMAN BEGINS (2005)
UNDERRATED: ZOLA (2020)
WHITE NOISE

UNDERRATED: BATMAN BEGINS (2005)

PHOTO BY PHOTO COURTESY OF WARNER BROS. PICTURES

UNDERRATED: BATMAN BEGINS (2005)


Where is it playing?: HBO Max, Amazon Video

What's it rated?: PG-13

User Rating: 0.00 (0 Votes)

The only complaint I have when it comes to The Dark Knight, a nearly flawless film, is how much it tends to overshadow its predecessor, Batman Begins. In fact, many people didn’t even realize The Dark Knight was a sequel, at least at the time of its release. It’s a testament to how well the film stands on its own, but I still can’t help but pity those poor, unfortunate souls who missed out on Christian Bale’s first outing as the Caped Crusader.

It had been eight years since the ultra campy Batman & Robin (1997)—universally hated, except by ME of all people (but that’s a discussion for another time)—graced theaters only to be met with boos and walk-outs. Enter director Christopher Nolan, a man with a vision. A vision so pure, so godlike, it nearly blinded my unworthy mortal 12-year-old eyes as I sat in awe, staring up at a screen inhabited by a sword-wielding ninja version of Liam Neeson (this was three years before Taken, mind you, so he wasn’t exactly the rich man’s Chuck Norris yet).

I’m of course recalling a specific sequence in the film in which Henri Ducard (Neeson) and Bruce Wayne (Bale) are duking it out on a glacier. The constant cracking of the ice combined with Hans Zimmer and James Newton Howard’s taut score is haunting. Sorry if this sounds like I’m geeking out on an unhealthy level, but I’m already too many words in to go back and take a more objective stance.

And while I’m at it, I think enough years have passed to discuss the twist with Neeson’s character. Although he is Wayne’s mentor, providing him with the necessary martial arts training to later become Batman, Ducard’s true identity is Ra’s al Ghul—the film’s big baddie. What made the reveal interesting was the fact that Batman didn’t have to square off against a costumed villain for once, although we still get one in the form of Dr. Jonathan Crane, aka Scarecrow (Cillian Murphy).

Murphy is chilling in the role, although the character is ultimately just one of Ra’s al Ghul’s pawns. The same can be said of mob boss Carmine Falcone (Tom Wilkinson). The film is full of bad guys, which is ironic because its biggest strength is prioritizing focus on Bruce Wayne/Batman (obviously not one of my strengths so far). Prior Batman films were consistently criticized for their “villain of the week” attitude, but Batman Begins was inarguably the first to break that curse.

I haven’t even touched on Bale’s performance, which is a massive shame on my part, because he’s brilliant. I get why people love to make fun of his growly Batman voice, but I feel like he gets it just right in this one. It’s the other two where things go overboard (“WHERE’S THE TRIGGER?!”). (140 min.) 

—Caleb Wiseblood










Weekly Poll
What do you think about new legislation that would require Narcan at all public school sites?

Narcan's a life-saving measure, necessary in all public spaces.
It's a good idea and will provide extra safety at schools.
Not sure. It's an important step, but we should focus on keeping opioids out of schools.
It's not necessary.

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