Friday, December 4, 2020     Volume: 21, Issue: 40
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Santa Maria Sun / Film

This weeks review
BEST WISHES, WARMEST REGARDS: A SCHITT’S CREEK FAREWELL
BINGABLE: ABANDONED (2016)
BINGEABLE: Barry
BINGEABLE: CASA DE LAS FLORES
BINGEABLE: FLEABAG
BINGEABLE: NATIONAL GEOGRAPHIC DOCUMENTARIES
BINGEABLE: OUTLANDER (2014-present)
BINGEABLE: STRANGER THINGS 3
BINGEABLE: THE SINNER (SEASON 2)
BLAST FROM THE PAST: COOL RUNNINGS (1993)
BLAST FROM THE PAST: FISH TANK (2009)
BLAST FROM THE PAST: HOUSE
BLAST FROM THE PAST: OLDBOY
BLAST FROM THE PAST: RAIDERS OF THE LOST ARK
BLAST FROM THE PAST: THE MATRIX
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: WILD AT HEART (1990)
BLOW THE MAN DOWN
BORAT SUBSEQUENT MOVIEFILM
DA 5 BLOODS
DAVID ATTENBOROUGH: A LIFE ON OUR PLANET
FIRST COW
GREYHOUND
GUILTY PLEASURES: CHEER (2020)
HAPPIEST SEASON
HAVE A GOOD TRIP: ADVENTURES IN PSYCHEDELICS
HE LAST BLACK MAN IN SAN FRANCISCO
HEARST CASTLE: BUILDING THE DREAM
I’M THINKING OF ENDING THINGS
LYING AND STEALING
SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE (2011)
THE BIGGEST LITTLE FARM
THE OPERATIVE
THE TRIAL OF THE CHICAGO SEVEN
THE VAST OF NIGHT
TREAD
TV REVIEW: BOSCH
TV REVIEW: COBRA KAI
TV REVIEW: DEFENDING JACOB
TV REVIEW: EVIL
TV REVIEW: FEAR CITY
TV REVIEW: GENERATION KILL (2008)
TV REVIEW: HANNIBAL (2013-2015)
TV REVIEW: HELL ON WHEELS (2011-2016)
TV REVIEW: HOMECOMING
TV REVIEW: I KNOW THIS MUCH IS TRUE
TV REVIEW: I MAY DESTROY YOU
TV REVIEW: I’LL BE GONE IN THE DARK
TV REVIEW: JULIE AND THE PHANTOMS
TV REVIEW: LENOX HILL
TV REVIEW: LITTLE AMERICA
TV REVIEW: LOVECRAFT COUNTRY
TV REVIEW: MRS. AMERICA
TV REVIEW: PANDEMIC: HOW TO PREVENT AN OUTBREAK (2020)
TV REVIEW: RAISED BY WOLVES
TV REVIEW: RAMY
TV REVIEW: RUN
TV REVIEW: SPACE FORCE
TV REVIEW: TABOO
TV REVIEW: THE BOYS
TV REVIEW: THE END OF THE F***ING WORLD
TV REVIEW: THE HAUNTING OF BLY MANOR
TV REVIEW: THE LAST KINGDOM
TV REVIEW: THE MIDNIGHT GOSPEL
TV REVIEW: THE MORNING SHOW
TV REVIEW: THE MOST DANGEROUS ANIMAL OF ALL
TV REVIEW: THE PLOT AGAINST AMERICA
TV REVIEW: THE QUEEN’S GAMBIT
TV REVIEW: THE THIRD DAY
TV REVIEW: THE VOW
TV REVIEW: TREADSTONE (2019)
TV REVIEW: TRIAL 4 (2020)
TV REVIEW: UNDONE
TV REVIEW: WHAT WE DO IN THE SHADOWS
TV REVIEW: ZEROZEROZERO
UNDERRATED: BATMAN BEGINS
UNDERRATED: THE BATTERED BASTARDS OF BASEBALL
VINYL NATION

The Haunting of Bly Manor slowly raises the creep factor into gripping and unsettling supernatural horror story

TV REVIEW: THE HAUNTING OF BLY MANOR

PHOTO BY , COURTESY OF AMBLIN TELEVISION

TV REVIEW: THE HAUNTING OF BLY MANOR


Where is it playing?: Netflix

What's it rated?: TV-MA

What's it worth?: $Full price (Anna Starkey)

What's it worth?: $Full price (Glen Starkey)

User Rating: 0.00 (0 Votes)

Set mainly in 1980s England, this supernatural horror thriller created by Mike Flanagan and loosely based on Henry James’ novella The Turn of the Screw follows Dani Clayton, an American au pair who takes a job overseeing young Flora (Amelie Bea Smith) and Miles (Benjamin Evan Ainsworth), recently orphaned and under the care of their uncle, Henry Wingrave (Henry Thomas). In addition to the children and Dani, the household staff includes groundskeeper Jamie (Amelia Eve), housekeeper Mrs. Grose (T’Nia Miller), and cook Owen (Rahul Kohli). Soon after starting her job, Dani discovers she’s taken the place of former governess, Miss Jessel (Tahirah Sharif), who drowned in the estate’s lake. Meanwhile, former valet Peter Quint (Oliver Jackson-Cohen), who absconded with some of the estate’s wealth, may have returned to stalk the grounds. (nine episodes totaling eight hours and 14 min.)

Glen: This is second in the Haunting series after The Haunting of Hill House (2018), which I never saw, but after watching this atmospheric and genuinely creepy miniseries, I’m ready to take a look at the first. The Turn of the Screw is really the jumping-off point for this series, which soon moves beyond Dani’s story to explore the other main characters, each of whom has secrets to hide and demons in pursuit. This isn’t a modern-day horror flick but more of a slow burn. Yes, there are jump scares and some violence, but the episodes rely more on an unsettling atmosphere. Instead of believing in ghosts, the characters are questioning their own sanity. The house itself is a character, its sprawling design re-created in Flora’s dollhouse, which she’s filled with handmade talisman representing the story’s various characters. The grounds, too, have their own creepiness, with the aforementioned lake, often awash in a layer of fog, and an old stone chapel dating back to the early 1600s. As the story proceeds, we discover Bly has a long history of paranormal goings-on. 

Anna: Slow burn is right, but the payoff is worth it. It definitely relies more on the storyline staying intriguing than it does on jump scares, though they did manage to get me plenty of times. Dani is a former teacher and clearly trying to escape some memories. When Henry hires her on, he tells her in no uncertain terms that if she wishes to keep the position, she won’t bother him with anything less than life-or-death emergencies out at Bly. As it turns out, Henry isn’t just a blustering and busy jerk, he’s hiding from his own demons lurking out at his brother’s estate. Mrs. Grose is increasingly lost in her own world; Owen is struggling to care for his mother who’s lost in her own world of dementia; and Dani can’t shake the past that seems to find her in every reflection. The children are increasingly strange, Miles especially. It’s a spooky setup, and while horror can sometimes struggle to end satisfactorily, The Haunting of Bly Manor manages to keep it creepy right to the end.

Glen: Each episode is its own little storyline, and I thought one of the most effective was episode five, “The Altar of the Dead,” which focuses on Mrs. Grose. In it, she flashes back and forth between time. She opens a door, steps through, and she’s in a new outfit in a different moment of her own history. She repeatedly returns to the first day she met and interviewed Owen for the cook position. “Haven’t we done this before?” she asked Owen. She’s meant to learn something from this revolving memory, and when she does, it’s oh so satisfying. Another really effective episode is eight, “The Romance of Certain Old Clothes,” where we discover the origin of the Lady in the Lake, a ghostly figure that walks the mansion and its ground. It’s a period piece going back centuries. It’s also worth noting that the entire story is bookended. It opens in 2007 at a wedding, and a woman (Carla Gugino, the story’s narrator), agrees to share a ghost story with the guests. We return to the wedding at the end, giving this old fashioned ghost story a satisfying resolution. I really enjoyed it!

Anna: Those two episodes definitely stand out, and while Dani may be presented as the focus of the narrator’s tale, we soon see that this is a story much larger than one person or even time period. It gives the manor its own life and breadth, almost making it another character in the web being built. Dani is haunted by a shadowed figure whose eyes shine in big, rounded lights who follows her from mirror to mirror, always reminding her of the dread and guilt sitting on her chest. We get to learn about these characters’ pasts, and that in itself is much more satisfying than if the series tried to keep it all a mystery. We have enough to figure out with some trips through memories and uncertainty about what is actual reality vs. not. I’d totally check out The Haunting of Hill House; if Bly Manor is any indication, it should be a good one to add to our Halloween list! 

New Times Senior Staff Writer Glen Starkey and freelancer Anna Starkey write Sun Screen. Glen compiles streaming listings. Comment at gstarkey@newtimesslo.com.










Weekly Poll
Would a second stay-at-home order be effective at slowing the spread of COVID-19?

No, pandemic fatigue is too high to get people to follow a stay-at-home order.
Yes, we need it, otherwise our hospitals will be in rough shape.
Local governments should get a say—not all purple tier counties are the same.
It would be bad news for the economy.

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