Saturday, October 24, 2020     Volume: 21, Issue: 34
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Santa Maria Sun / Film

This weeks review
13TH (2020)
AVA
BINGABLE: ABANDONED (2016)
BINGEABLE: Barry
BINGEABLE: CASA DE LAS FLORES
BINGEABLE: FLEABAG
BINGEABLE: NATIONAL GEOGRAPHIC DOCUMENTARIES
BINGEABLE: OUTLANDER (2014-present)
BINGEABLE: STRANGER THINGS 3
BINGEABLE: THE SINNER (SEASON 2)
BLAST FROM THE PAST: COOL RUNNINGS (1993)
BLAST FROM THE PAST: FISH TANK (2009)
BLAST FROM THE PAST: HOUSE
BLAST FROM THE PAST: OLDBOY
BLAST FROM THE PAST: RAIDERS OF THE LOST ARK
BLAST FROM THE PAST: THE MATRIX
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: WILD AT HEART (1990)
BLOW THE MAN DOWN
CLASS ACTION PARK
COASTAL ELITES
DA 5 BLOODS
FIRST COW
GREYHOUND
GUILTY PLEASURES: CHEER (2020)
HAVE A GOOD TRIP: ADVENTURES IN PSYCHEDELICS
HEARST CASTLE: BUILDING THE DREAM
I’M THINKING OF ENDING THINGS
JUST MERCY
LYING AND STEALING
MESSAGE FROM THE KING
MY OCTOPUS TEACHER
NATURETRACK FILM FESTIVAL
ONLY
PALM SPRINGS
PROJECT POWER
PURPLE MOUNTAINS
SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE (2011)
TENET
THE BIGGEST LITTLE FARM
THE KING OF STATEN ISLAND
THE NIGHT EATS THE WORLD
THE OLD GUARD
THE VAST OF NIGHT
TREAD
TV REVIEW: BOSCH
TV REVIEW: CATCH-22
TV REVIEW: COBRA KAI
TV REVIEW: DEFENDING JACOB
TV REVIEW: FEAR CITY
TV REVIEW: GENERATION KILL (2008)
TV REVIEW: HANNIBAL (2013-2015)
TV REVIEW: HELL ON WHEELS (2011-2016)
TV REVIEW: HOMECOMING
TV REVIEW: I KNOW THIS MUCH IS TRUE
TV REVIEW: I MAY DESTROY YOU
TV REVIEW: I’LL BE GONE IN THE DARK
TV REVIEW: LENOX HILL
TV REVIEW: LITTLE AMERICA
TV REVIEW: LOVE ON THE SPECTRUM
TV REVIEW: LOVECRAFT COUNTRY
TV REVIEW: MRS. AMERICA
TV REVIEW: NORMAL PEOPLE
TV REVIEW: PANDEMIC: HOW TO PREVENT AN OUTBREAK (2020)
TV REVIEW: PERRY MASON
TV REVIEW: RAMY
TV REVIEW: RUN
TV REVIEW: SOCIAL DISTANCE
TV REVIEW: SPACE FORCE
TV REVIEW: TABOO
TV REVIEW: THE END OF THE F***ING WORLD
TV REVIEW: THE LAST KINGDOM
TV REVIEW: THE MIDNIGHT GOSPEL
TV REVIEW: THE MORNING SHOW
TV REVIEW: THE MOST DANGEROUS ANIMAL OF ALL
TV REVIEW: THE PLOT AGAINST AMERICA
TV REVIEW: THE THIRD DAY
TV REVIEW: THE VOW
TV REVIEW: UNDONE
TV REVIEW: WHAT WE DO IN THE SHADOWS
TV REVIEW: ZEROZEROZERO
UNDERRATED: BATMAN BEGINS
UNDERRATED: THE BATTERED BASTARDS OF BASEBALL
[UN]WELL

HBO’s Run offers mystery, comedy, and midlife crises

TV REVIEW: RUN

PHOTO BY , COURTESY OF ENTERTAINMENT ONE

TV REVIEW: RUN


Where is it playing?: HBO

What's it rated?: TV-MA

User Rating: 0.00 (0 Votes)

Created by Vicki Jones, this HBO limited series is about Ruby Richardson (Merritt Wever) and Billy Johnson (Domhnall Gleeson), who as college lovers made a pact that if one of them texted the word “RUN,” and the other responded with “RUN,” they’d both drop everything they were doing and rush to NYC’s Grand Central Station, from which they’d embark on a trip across the U.S. together. In episode 1, as she’s taking a call from her husband, Laurence (Rich Sommer), in her car in a Ralph’s parking lot in LA, Ruby gets the text from Billy, responds with the magic word, and soon books a flight from LAX into New York, meeting Billy at the station where they board a train bound for Chicago. (Seven approximately 30 min. episodes).

Glen: Only the first five episodes have been released in this limited series, with the final two episodes coming in the next couple of weeks—so where it will end up, I do not know, but so far it’s a very quirky story about two 30-somethings leaping headlong into a shared midlife crisis. It’s certainly a promising premise. Ruby and Billy haven’t seen each other in almost two decades, and I get the feeling that they’re infatuated with idealized versions of each other that probably never existed. What’s clear is Ruby’s life isn’t filled with the excitement she’d hoped for, and she obviously remembers her relationship with Billy as passionate and even a little bit dangerous—everything that’s missing from her average life. Billy is a little bit more of a mystery. He’s some sort of motivational speaker/lifestyle guru, and in a later episode (it’s not a spoiler … they show a bag of cash in the series trailers), he withdraws a large sum of money that he’s trying to protect from his personal assistant, Fiona (Archie Panjabi), who somehow feels Billy owes her. Billing itself as a black comedy mystery, I must admit it’s so far very good at keeping me mystified. I have no idea where this is going, but it’s a fun ride so far.

Anna: With episodes only running 30 minutes, they pack a lot of punch into a short glimpse of this haphazard adventure. Ruby feels saddled with her day-to-day life with Laurence and their two boys and wistful for the life she could have had but didn’t. Billy is definitely the mysterious one in the pair—why he is running and from whom still isn’t quite clear to me even after five episodes. The complications that come with dropping your life and running away are inevitable and come to the pair quickly. Ruby’s lie of attending a yoga retreat unravels fast, and Laurence has little patience for her tomfoolery. Fiona is a vindictive stalker who will pretty much do anything to get her hands on Billy’s cash. It’s a quick-pulsed adventure, and the leads are clearly having a good time playing off one another. I can hardly believe they’ll be able to wrap it all up in two more episodes, but I’m looking forward to seeing if and how they pull it off.

Glen: Episode 5 definitely upped the ante. The first few episodes are slow in comparison. Maybe one of the reasons I’m finding the show so bracing is because of nostalgia for close-quarter travel, spontaneity, and the freedom to just get up and go! The reality of Run is so foreign to our new normal of sheltering in place. Gleeson and Wever are both great in these roles. There’s something slick and shallow about Billy and something broken about Ruby. They both have secrets and regrets, and as this adventure plays out, they’ll both have ramifications to deal with. How can Ruby, who seems like a genuinely sweet person, leave her family on a lark? I wasn’t entirely sold on this show after the first episode, but I’m glad I stuck with it. I’m all in now and look forward to seeing how Vicki Jones, who previously was a script editor on the hilarious series Fleabag, manages to tie all of these strings together. 

Anna: The frenetic energy of the show can be pretty inconsistent, but this latest episode really hooked me. It seems like such a crazy thing for Ruby to leave her family that she seemingly loves and is worried about—but we soon realize that she feels like life has simply passed her by. She never became the big-time architect she dreamed of, and she married the safe guy and had his kids. She’s wistful for her lost youth and all the freedom that Billy represents. It’s pretty clear from the start that Billy himself is even more of a mess, though a much more believable candidate to flee from his life. The two work well together, and while it feels a bit like watching a train wreck, it’s also fun to watch the chaos around these two. I can’t wait to see how they wrap this series up. 

New Times Senior Staff Writer Glen Starkey and freelancer Anna Starkey write Sun Screen. Glen compiles streaming listings. Comment at gstarkey@newtimesslo.com.









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