Friday, December 4, 2020     Volume: 21, Issue: 40
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Santa Maria Sun / Film

This weeks review
BEST WISHES, WARMEST REGARDS: A SCHITT’S CREEK FAREWELL
BINGABLE: ABANDONED (2016)
BINGEABLE: Barry
BINGEABLE: CASA DE LAS FLORES
BINGEABLE: FLEABAG
BINGEABLE: NATIONAL GEOGRAPHIC DOCUMENTARIES
BINGEABLE: OUTLANDER (2014-present)
BINGEABLE: STRANGER THINGS 3
BINGEABLE: THE SINNER (SEASON 2)
BLAST FROM THE PAST: COOL RUNNINGS (1993)
BLAST FROM THE PAST: FISH TANK (2009)
BLAST FROM THE PAST: HOUSE
BLAST FROM THE PAST: OLDBOY
BLAST FROM THE PAST: RAIDERS OF THE LOST ARK
BLAST FROM THE PAST: THE MATRIX
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: WILD AT HEART (1990)
BLOW THE MAN DOWN
BORAT SUBSEQUENT MOVIEFILM
DA 5 BLOODS
DAVID ATTENBOROUGH: A LIFE ON OUR PLANET
FIRST COW
GREYHOUND
GUILTY PLEASURES: CHEER (2020)
HAPPIEST SEASON
HAVE A GOOD TRIP: ADVENTURES IN PSYCHEDELICS
HE LAST BLACK MAN IN SAN FRANCISCO
HEARST CASTLE: BUILDING THE DREAM
I’M THINKING OF ENDING THINGS
LYING AND STEALING
SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE (2011)
THE BIGGEST LITTLE FARM
THE OPERATIVE
THE TRIAL OF THE CHICAGO SEVEN
THE VAST OF NIGHT
TREAD
TV REVIEW: BOSCH
TV REVIEW: COBRA KAI
TV REVIEW: DEFENDING JACOB
TV REVIEW: EVIL
TV REVIEW: FEAR CITY
TV REVIEW: GENERATION KILL (2008)
TV REVIEW: HANNIBAL (2013-2015)
TV REVIEW: HELL ON WHEELS (2011-2016)
TV REVIEW: HOMECOMING
TV REVIEW: I KNOW THIS MUCH IS TRUE
TV REVIEW: I MAY DESTROY YOU
TV REVIEW: I’LL BE GONE IN THE DARK
TV REVIEW: JULIE AND THE PHANTOMS
TV REVIEW: LENOX HILL
TV REVIEW: LITTLE AMERICA
TV REVIEW: LOVECRAFT COUNTRY
TV REVIEW: MRS. AMERICA
TV REVIEW: PANDEMIC: HOW TO PREVENT AN OUTBREAK (2020)
TV REVIEW: RAISED BY WOLVES
TV REVIEW: RAMY
TV REVIEW: RUN
TV REVIEW: SPACE FORCE
TV REVIEW: TABOO
TV REVIEW: THE BOYS
TV REVIEW: THE END OF THE F***ING WORLD
TV REVIEW: THE HAUNTING OF BLY MANOR
TV REVIEW: THE LAST KINGDOM
TV REVIEW: THE MIDNIGHT GOSPEL
TV REVIEW: THE MORNING SHOW
TV REVIEW: THE MOST DANGEROUS ANIMAL OF ALL
TV REVIEW: THE PLOT AGAINST AMERICA
TV REVIEW: THE QUEEN’S GAMBIT
TV REVIEW: THE THIRD DAY
TV REVIEW: THE VOW
TV REVIEW: TREADSTONE (2019)
TV REVIEW: TRIAL 4 (2020)
TV REVIEW: UNDONE
TV REVIEW: WHAT WE DO IN THE SHADOWS
TV REVIEW: ZEROZEROZERO
UNDERRATED: BATMAN BEGINS
UNDERRATED: THE BATTERED BASTARDS OF BASEBALL
VINYL NATION

HE LAST BLACK MAN IN SAN FRANCISCO

PHOTO BY , COURTESY OF A24

HE LAST BLACK MAN IN SAN FRANCISCO


Where is it playing?: Streaming

What's it rated?: R

User Rating: 0.00 (0 Votes)

Co-writer Joe Talbot directs this story, co-written by Ron Richert and the film’s protagonist Jimmie Fails (who plays himself), a young black man in San Francisco who reclaims his childhood home, a Fillmore District Victorian house supposedly built by his grandfather. 

This charming 2019 independent film is a reminder of what’s possible outside the big-money studio system, and it establishes first-time feature-length director Talbot as someone to watch. Poetic, soulful, and elegiac—it’s a lament for what’s been lost to gentrification, a poignant examination of race and class, and a swan song to a deeply felt male friendship.

There’s some breathtaking cinematography by Adam Newport-Berra and arty direction by Talbot, but what really sells this film are stars Fails and Jonathan Majors, whose performances are so perfect, so affecting, and so nuanced. Sometimes a mere look is enough to break your heart, and your heart will surely break with the conclusion of this achingly tender story of two men in love with a city that doesn’t seem to love them back. (121 min.)

—Glen Starkey










Weekly Poll
Would a second stay-at-home order be effective at slowing the spread of COVID-19?

No, pandemic fatigue is too high to get people to follow a stay-at-home order.
Yes, we need it, otherwise our hospitals will be in rough shape.
Local governments should get a say—not all purple tier counties are the same.
It would be bad news for the economy.

| Poll Results






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