Thursday, December 12, 2019     Volume: 20, Issue: 41
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Santa Maria Sun / Film

This weeks review
A BEAUTIFUL DAY IN THE NEIGHBORHOOD
AD ASTRA
AVENGERS: ENDGAME
BINGEABLE: Barry
BINGEABLE: CASA DE LAS FLORES
BINGEABLE: FLEABAG
BINGEABLE: GRACE AND FRANKIE
BINGEABLE: INTO THE DARK
BINGEABLE: NATHAN FOR YOU
BINGEABLE: RUSSIAN DOLL
BINGEABLE: STRANGER THINGS 3
BINGEABLE: THE PEOPLE V. O.J. SIMPSON: AMERICAN CRIME STORY
BINGEABLE: THE SINNER (SEASON 2)
BLAST FROM THE PAST: FRIENDS
BLAST FROM THE PAST: HOUSE
BLAST FROM THE PAST: LONE WOLF MCQUADE
BLAST FROM THE PAST: OLDBOY
BLAST FROM THE PAST: RAIDERS OF THE LOST ARK
BLAST FROM THE PAST: ROBOCOP
BLAST FROM THE PAST: THE MATRIX
BLAST FROM THE PAST: UNDER SIEGE 2: DARK TERRITORY
BLAST FROM THE PAST: WILD AT HEART
BLAST FROM THE PAST: YOU’VE GOT MAIL
BRITTANY RUNS A MARATHON
CHARLIE’S ANGELS
CRAWL
DOCTOR SLEEP
DOWNTON ABBEY
FORD V FERRARI
FROZEN II
GUILTY PLEASURE: THE HANGOVER
GUILTY PLEASURES: BARBIE LIFE IN THE DREAMHOUSE
HATEWATCH: CHOPPED
HATEWATCH: FRANKENSTEIN’S MONSTER’S MONSTER, FRANKENSTEIN
HATEWATCH: NAILED IT!
HEARST CASTLE: BUILDING THE DREAM
JOJO RABBIT
JOKER
JUMANJI: THE NEXT LEVEL
KNIVES OUT
LAST CHRISTMAS
MALEFICENT: MISTRESS OF EVIL
MIDWAY
MILES DAVIS: BIRTH OF THE COOL
MOTHERLESS BROOKLYN
ONCE UPON A TIME … IN HOLLYWOOD
PLAYING WITH FIRE
SPIDER-MAN: FAR FROM HOME (EXTENDED CUT)
TERMINATOR: DARK FATE
THE ART OF RACING IN THE RAIN
THE BIGGEST LITTLE FARM
THE CURRENT WAR: DIRECTOR’S CUT
THE GOOD LIAR
THE LIGHTHOUSE
THE PEANUT BUTTER FALCON
UNDERRATED: BATMAN BEGINS
UNDERRATED: INSOMNIA
UNDERRATED: SHUTTER ISLAND
UNDERRATED: THE BATTERED BASTARDS OF BASEBALL
UNDERRATED: THE FALLING
YESTERDAY
ZOMBIELAND: DOUBLE TAP

HATEWATCH: FRANKENSTEIN’S MONSTER’S MONSTER, FRANKENSTEIN

PHOTO BY PHOTO COURTESY OF NETFLIX

HATEWATCH: FRANKENSTEIN’S MONSTER’S MONSTER, FRANKENSTEIN


Where is it playing?: Netflix

What's it rated?: TV-14

User Rating: 0.00 (0 Votes)

Editor’s note: Welcome to Hatewatch, our newest film column, where we revel in the shows and movies we just can’t look away from—shows so bad they’re good, flicks so awful we get that flush of self-righteousness, B-movies more guilt inducing than pleasurable. You know you hate-watch too.

I don’t feel great about the reasons I wanted to watch Netflix’s new mockumentary, Frankenstein’s Monster’s Monster, Frankenstein. The first was the title. Seriously, as an editor, I was drawn to the punctuation. It’s a technically correct messy mouthful. And second: David Harbour. My husband and I just finished season one of Stranger Things (yes, we’re way behind), and I have to admit I’d never seen Harbour in anything else, so his face caught my eye. 

Another reason: One of Arrested Development’s writers (John Levenstein) was behind this piece. How could it not be funny? And at just longer than half an hour, my husband and I had little to lose.

With eyebrows raised, we hit play. Once it started, we couldn’t look away. 

I love mockumentaries—especially the Christopher Guest variety (Best in Show, A Mighty Wind) and the current Documentary Now! series. But Frankenstein is a bit of a twofer—it’s half tongue-in-cheek, decent production-value mockumentary, and half super campy stage play that sends up dozens of tropes. I’m not a student of the theater, but even I was able to pick up on a bunch of in-jokes. I won’t ruin any whoppers, but one character’s name is a big no-no in the theater world. Chekhov’s gun is definitely a thing in the play within the mockumentary. And the fourth wall? Forget about it!

Frankenstein’s Monster’s Monster, Frankenstein does have a bit of a plot—Harbour spoofs himself on a quest to answer questions about his fictional father and the stage career that went awry. After finding a film of his dad starring in a Frankenstein play, Harbour walks back through his father’s footsteps to try to get answers. This is enough of a framework to set up the absurdity that ensues on stage, in which Harbour plays his father acting in multiple roles.

We watched Harbour with wide-eyed delight—he deadpans his way through the mockumentary parts and hams it up mightily to play his egotistical father.

This messy little gem also manages to weave in bits from The Actor’s Trunk, itself a spoof of an acting craft show, which gives insight into Harbour’s father’s career. There are a few words from the play’s sponsors, including clips of Harbour eating and drinking a la Orson Welles in one of those infamous Paul Masson wine commercials. 

This Frankenstein’s monster of a mockumentary was entertaining, in a “what did we just watch?” kind of way, and also in a “you have to see it for yourself” way.

But if you need another reason to watch this weird one-off, here you go: Alfred Molina. (32 mins.) 

—Andrea Rooks




Weekly Poll
Guadalupe is in the midst of new development, but is that a good thing?

No. The new homes will expand the town too much and run the small-town vibe.
No. Commercial development will follow and destroy all the local businesses.
Yes. The town can't survive another economic downturn without more business and residents in town.
Yes, but the town has to steer development toward tourism and the hospitality industry.

| Poll Results