Thursday, September 29, 2022     Volume: 23, Issue: 31
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Santa Maria Sun / Film

This weeks review
A QUIET PLACE PART II
ANOTHER ROUND
BARBARIAN
BEAST
BINGEABLE: 100 FOOT WAVE (2021)
BINGEABLE: A LEAGUE OF THEIR OWN (2022)
BINGEABLE: ABBOTT ELEMENTARY (2021-present)
BINGEABLE: ANATOMY OF A SCANDAL (2022)
BINGEABLE: BARRY (2018-present)
BINGEABLE: CASTLEVANIA (2017-2021)
BINGEABLE: CHEER (2020-present)
BINGEABLE: FLEABAG (2016-2019)
BINGEABLE: HACKS (2021-present)
BINGEABLE: I JUST KILLED MY DAD (2022)
BINGEABLE: JOE PICKETT (2021)
BINGEABLE: KUNG FU (2021)
BINGEABLE: LAST LIGHT (2022)
BINGEABLE: LIFE & BETH (2022)
BINGEABLE: MAID (2021)
BINGEABLE: MIDNIGHT MASS (2021)
BINGEABLE: ONLY MURDERS IN THE BUILDING (SEASON 2) (2021-present)
BINGEABLE: SLOW HORSES (2022)
BINGEABLE: SQUID GAME (2021)
BINGEABLE: STATION ELEVEN (2021)
BINGEABLE: SWEET TOOTH
BINGEABLE: TELL ME YOUR SECRETS (2021)
BINGEABLE: THE BABY (2022)
BINGEABLE: THE BEAR (2022)
BINGEABLE: THE GREAT (2020-present)
BINGEABLE: THE MOST HATED MAN ON THE INTERNET (2022)
BINGEABLE: THE PATIENT (2022)
BLAST FROM THE PAST: COWBOY BEBOP (1998)
BLAST FROM THE PAST: KIKI’S DELIVERY SERVICE (1989)
BLAST FROM THE PAST: THE CAT RETURNS (2002)
BLAST FROM THE PAST: THE MATRIX (1999)
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: THE SHOOTING (1966)
BLAST FROM THE PAST: WILD AT HEART (1990)
BREAKING
C’MON C’MON
ELVIS
EMILY THE CRIMINAL
EVERYTHING EVERYWHERE ALL AT ONCE
GHOSTBUSTERS: AFTERLIFE
GUILTY PLEASURE: VAMPIRES (1998)
GUILTY PLEASURES: GUNPOWDER MILKSHAKE
GUILTY PLEASURES: JOLT
HAVE A GOOD TRIP: ADVENTURES IN PSYCHEDELICS
HEARST CASTLE: BUILDING THE DREAM (1996)
I CARE A LOT
I’M THINKING OF ENDING THINGS
JURASSIC WORLD: DOMINION
LIGHTYEAR
NEW FLICKS: ANTLERS
NEW FLICKS: ARMY OF THIEVES
NEW FLICKS: BULLET TRAIN
NEW FLICKS: CRUELLA
NEW FLICKS: DAY SHIFT
NEW FLICKS: DON’T LOOK UP
NEW FLICKS: FINCH
NEW FLICKS: FRESH
NEW FLICKS: GEORGE CARLIN’S AMERICAN DREAM (2022)
NEW FLICKS: HUSTLE
NEW FLICKS: I WANT YOU BACK
NEW FLICKS: KATE
NEW FLICKS: MURDER AT YELLOWSTONE CITY
NEW FLICKS: PINOCCHIO
NEW FLICKS: PREY
NEW FLICKS: RED NOTICE
NEW FLICKS: SAMARITAN
NEW FLICKS: THE GRAY MAN
NEW FLICKS: THE NORTHMAN
NEW FLICKS: THIRTEEN LIVES
NEW FLICKS: WATERMAN (2021)
NINE PERFECT STRANGERS (2021)
NOPE
PIG
SOUL
THE ADAM PROJECT
THE BATMAN
THE BIGGEST LITTLE FARM (2019)
THE MAP OF TINY PERFECT THINGS
THE NEW MUTANTS
THE PAPER TIGERS
THE SUNLIT NIGHT
THE TRAGEDY OF MACBETH
THE UNBEARABLE WEIGHT OF MASSIVE TALENT
THE WOMAN KING
THREE THOUSAND YEARS OF LONGING
TOP GUN: MAVERICK
TV REVIEW: BATES MOTEL
TV REVIEW: DEFENDING JACOB
TV REVIEW: EXTERMINATE ALL THE BRUTES (2021)
TV REVIEW: HOMECOMING
TV REVIEW: HOW TO WITH JOHN WILSON
TV REVIEW: I KNOW THIS MUCH IS TRUE
TV REVIEW: I MAY DESTROY YOU
TV REVIEW: LENOX HILL
TV REVIEW: LITTLE AMERICA
TV REVIEW: MARE OF EASTTOWN
TV REVIEW: MRS. AMERICA
TV REVIEW: ONE MISSISSIPPI
TV REVIEW: PAINTING WITH JOHN (2021)
TV REVIEW: RAMY
TV REVIEW: RUN
TV REVIEW: SPACE FORCE
TV REVIEW: TED LASSO (2020-present)
TV REVIEW: THE BOYS
TV REVIEW: THE END OF THE F***ING WORLD
TV REVIEW: THE FLIGHT ATTENDANT
TV REVIEW: THE LAST KINGDOM
TV REVIEW: THE MIDNIGHT GOSPEL
TV REVIEW: THE PLOT AGAINST AMERICA
TV REVIEW: THE QUEEN’S GAMBIT
TV REVIEW: UNDONE
TV REVIEW: WARRIOR
TV REVIEW: WHAT WE DO IN THE SHADOWS
TV REVIEW: ZEROZEROZERO
UNDERRATED: BATMAN BEGINS (2005)

BLAST FROM THE PAST: WILD AT HEART (1990)

PHOTO BY COURTESY OF POLYGRAM FILMED ENTERTAINMENT

BLAST FROM THE PAST: WILD AT HEART (1990)


Where is it playing?: Amazon, Tubi

What's it rated?: R

User Rating: 0.00 (0 Votes)

Today’s Yellow Brick Road Leads Straight to Hell.” That’s the headline of a Caryn James review of Wild at Heart that appeared in a 1990 edition of The New York Times, and she’s not wrong.

The bleak reality of a once-romanticized form of travel is a clear thread throughout David Lynch’s twisted ode to The Wizard of Oz (1939) and other road movies of a bygone era, where the yellow brick road is rundown and lonely, Emerald City is a tiny town in Texas, the flying monkeys are hired killers, and Dorothy is a 20-something rebel on the run with a bad-boy parolee.

At its core, Wild at Heart is a formulaic, star-crossed lovers romance. It’s Bonnie and Clyde (1967)—but in this film, Bonnie appears as Lula (Laura Dern), a young woman desperate to get out from under the roof of her overbearing mother, and Clyde as Sailor (Nick Cage), a recently released convict.

Despite her mother’s orders, Lula immediately runs off to California with Sailor once his time in prison is up, a sex-capade that leads them down winding highways and to seedy motels in New Orleans and Big Tuna, Texas. But Lula isn’t initially aware of the real reasons behind her mother’s disdain for Sailor. The couple’s trip is quickly spoiled by private investigators that Lula’s mother hired to track and kill Sailor.

The more her mother tries to stop it, the more Lula and Sailor double down on their love for each other, their fiery passion fed to some degree by the forces trying to keep them apart.

It’s a classic love story, but woven in are Lynchian characters, settings, and dialogue, and for some reason a lot of references to The Wizard of Oz, giving Wild at Heart an unsettlingly surreal yet comedic effect that only David Lynch can really create.

As in all things Lynch, the characters in Wild at Heart are each eccentrics in their own right. An overdone Southern accent paired with an affinity for Elvis Presley, all wrapped up in a snakeskin jacket that symbolizes his “individuality and belief in personal freedom,” work together to bring us Sailor. Lula has her own zany qualities, too—not the least of which is a tendency to get hysterical, and her propensity to extinguish the hysteria by breaking out suddenly in dance.

The downside to many of Lynch’s works is that the chaos created by his vivid characters and his totally unique way of storytelling often cloud the plot itself. But compared to Twin Peaks (1990-1992) and Blue Velvet (1986), Wild at Heart is a breeze to follow, and quite a bit less disturbing.

It’s lighthearted and quirky, and best of all, it offers a rare glimpse into the softer side of Lynch.

—Kasey Bubnash 










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Our state is beyond fixing and there's nothing we can do.

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