Monday, February 6, 2023     Volume: 23, Issue: 49
Signup

Santa Maria Sun / Film

This weeks review
MISSING
A MAN CALLED OTTO
A QUIET PLACE PART II
AMSTERDAM
ANOTHER ROUND
BARBARIAN
BINGEABLE: 100 FOOT WAVE (2021)
BINGEABLE: 1923 (2022-present)
BINGEABLE: A FRIEND OF THE FAMILY (2022)
BINGEABLE: A LEAGUE OF THEIR OWN (2022)
BINGEABLE: ANATOMY OF A SCANDAL (2022)
BINGEABLE: ANDOR (2022-present)
BINGEABLE: BARRY (2018-present)
BINGEABLE: BLACK BIRD (2022)
BINGEABLE: BLACK SUMMER (2019-2021)
BINGEABLE: CASTLEVANIA (2017-2021)
BINGEABLE: CHEER (2020-present)
BINGEABLE: ECHO 3 (2022)
BINGEABLE: FLEABAG (2016-2019)
BINGEABLE: FLEISHMAN IS IN TROUBLE (2022)
BINGEABLE: GOSSIP GIRL (2021-present)
BINGEABLE: HACKS (2021-present)
BINGEABLE: INSIDE MAN (2022)
BINGEABLE: JOE PICKETT (2021)
BINGEABLE: KUNG FU (2021)
BINGEABLE: LAST LIGHT (2022)
BINGEABLE: LIFE & BETH (2022)
BINGEABLE: MAID (2021)
BINGEABLE: MIDNIGHT MASS (2021)
BINGEABLE: ONLY MURDERS IN THE BUILDING (SEASON 2) (2022)
BINGEABLE: SLOW HORSES (2022)
BINGEABLE: SQUID GAME (2021)
BINGEABLE: STATION ELEVEN (2021)
BINGEABLE: SWEET TOOTH
BINGEABLE: TELL ME YOUR SECRETS (2021)
BINGEABLE: THE BEAR (2022)
BINGEABLE: THE ENGLISH (2022)
BINGEABLE: THE GREAT (2020-present)
BINGEABLE: THE WHITE LOTUS (SEASON 2) (2022)
BINGEABLE: THREE PINES (2022-present)
BINGEABLE: TULSA KING (2022-2023)
BINGEABLE: WEDNESDAY (2022)
BINGEABLE: WELCOME TO WREXHAM (2022-present)
BINGEABLE: WILLOW (2022)
BINGEABLE: YELLOWJACKETS (2021-present)
BLACK PANTHER: WAKANDA FOREVER
BLAST FROM THE PAST: A.I. ARTIFICIAL INTELLIGENCE (2001)
BLAST FROM THE PAST: COWBOY BEBOP (1998)
BLAST FROM THE PAST: THE MATRIX (1999)
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: THE SHOOTING (1966)
BLAST FROM THE PAST: WILD AT HEART (1990)
ENOLA HOLMES 2
GLASS ONION: A KNIVES OUT MYSTERY
GUILLERMO DEL TORO’S PINOCCHIO
GUILTY PLEASURES: GUNPOWDER MILKSHAKE
GUILTY PLEASURES: JOLT
HAVE A GOOD TRIP: ADVENTURES IN PSYCHEDELICS
HEARST CASTLE: BUILDING THE DREAM (1996)
I CARE A LOT
I’M THINKING OF ENDING THINGS
NEW FLICKS: ANTLERS
NEW FLICKS: BABYLON
NEW FLICKS: BEST SELLERS
NEW FLICKS: BULLET TRAIN
NEW FLICKS: CAUSEWAY
NEW FLICKS: CRUELLA
NEW FLICKS: DAY SHIFT
NEW FLICKS: DISENCHANTED
NEW FLICKS: FINCH
NEW FLICKS: FRESH
NEW FLICKS: GEORGE CARLIN’S AMERICAN DREAM (2022)
NEW FLICKS: HUSTLE
NEW FLICKS: I WANT YOU BACK
NEW FLICKS: KATE
NEW FLICKS: MONTANA STORY
NEW FLICKS: MY POLICEMAN
NEW FLICKS: PREY
NEW FLICKS: RED NOTICE
NEW FLICKS: SIGNIFICANT OTHER
NEW FLICKS: THE GOOD NURSE
NEW FLICKS: THE GRAY MAN
NEW FLICKS: THE NORTHMAN
NEW FLICKS: THE OUTFIT
NEW FLICKS: THIRTEEN LIVES
NEW FLICKS: WATERMAN (2021)
NINE PERFECT STRANGERS (2021)
PIG
THE BATMAN
THE BIGGEST LITTLE FARM (2019)
THE MAP OF TINY PERFECT THINGS
THE MENU
THE PAPER TIGERS
THE SUNLIT NIGHT
THE WHALE
THE WOMAN KING
THREE THOUSAND YEARS OF LONGING
TV REVIEW: BATES MOTEL
TV REVIEW: DEFENDING JACOB
TV REVIEW: HOMECOMING
TV REVIEW: HOW TO WITH JOHN WILSON
TV REVIEW: LENOX HILL
TV REVIEW: LITTLE AMERICA
TV REVIEW: MRS. AMERICA
TV REVIEW: ONE MISSISSIPPI
TV REVIEW: PAINTING WITH JOHN (2021)
TV REVIEW: RAMY
TV REVIEW: RUN
TV REVIEW: SPACE FORCE
TV REVIEW: TED LASSO (2020-present)
TV REVIEW: THE BOYS
TV REVIEW: THE END OF THE F***ING WORLD
TV REVIEW: THE FLIGHT ATTENDANT
TV REVIEW: THE LAST KINGDOM
TV REVIEW: THE MIDNIGHT GOSPEL
TV REVIEW: THE QUEEN’S GAMBIT
TV REVIEW: UNDONE
TV REVIEW: WARRIOR
TV REVIEW: WHAT WE DO IN THE SHADOWS
TV REVIEW: ZEROZEROZERO
UNDERRATED: BATMAN BEGINS (2005)
UNDERRATED: ZOLA (2020)
WHITE NOISE

BLAST FROM THE PAST: THE PRESTIGE (2006)

PHOTO BY PHOTO COURTESY OF TOUCHSTONE PICTURES

BLAST FROM THE PAST: THE PRESTIGE (2006)


Where is it playing?: Amazon Prime, iTunes

What's it rated?: PG-13

User Rating: 7.50 (1 Votes)

Reading Zac Ezzone’s column on Magic For Humans last week inspired me to keep up the illusionist thread and revisit one of my all-time favorite psychological thrillers, 2006’s The Prestige, aka “Magic For Humans Who Like Christopher Nolan Movies.” Like many of his films, Nolan uses a non-linear story structure—jumping back and forth between the past and present, sometimes indistinguishably and, as I’ve heard from opposing opinions, at the expense of the viewer.

Having seen the film many more times than once, I can’t recall how much of The Prestige’s puzzle I was able to piece together during my first viewing. But what I do remember about seeing it for the first time was being intrigued all the way through, thanks to its increasingly foreboding atmosphere, even if I couldn’t tell what the hell was going on. It demands repeat viewings, and, in my opinion, deserves them.

The plot follows two rival magicians in 1890s London, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale). Imagine the venomous relationship between Salieri and Mozart in Amadeus, but pitted between two men trying to pull rabbits from their top hats. Surprisingly, said trick isn’t depicted in the film (Nolan trying to avoid cliché tropes, no doubt), and neither do the men try to saw any women in half. Sure, they accidentally drown one during a freak “escape the water tank” mishap, but not a single handsaw in sight.

This horrifying incident serves as the initial spark of hatred between the two men. The film opens with youthful versions of Angier and Borden working as assistants to the same magician. Angier’s wife, Julia (Piper Perabo), worked alongside them and was the woman who tragically died during the tank trick. Convinced that Borden tied too strong of a knot around Julia’s wrists, allegedly preventing her from escaping the tank, Angier becomes obsessed with revenge.

As the two men go their separate ways to pursue becoming magicians themselves, Angier never lets go of his obsession. What unravels is a back-and-forth struggle between the two, as both men strive to either outdo the other or sabotage each other’s tricks entirely. Borden becomes just as bitter toward Angier as the conflict grows more and more hazardous to both men’s lives.

Taut atmosphere and powerful direction aside, what keeps the train moving is Jackman and Bale, who were perfectly cast, as if they were destined to play rival magicians—who wouldn’t want to see Wolverine vs. Batman? There’s also a great analogy between their feud and the historical struggle between competing inventors Thomas Edison and Nikola Tesla. Tesla appears in the film as a supporting character, played fantastically by David Bowie. I won’t give away Tesla’s (the man, not the car) involvement with the plot, but I will say that top hats are involved—just no rabbits. (135 min.) 

—Caleb Wiseblood










Weekly Poll
What do you think about new legislation that would require Narcan at all public school sites?

Narcan's a life-saving measure, necessary in all public spaces.
It's a good idea and will provide extra safety at schools.
Not sure. It's an important step, but we should focus on keeping opioids out of schools.
It's not necessary.

| Poll Results






My 805 Tix - Tickets to upcoming events