Sunday, September 20, 2020     Volume: 21, Issue: 29
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Santa Maria Sun / Film

This weeks review
THE KING OF STATEN ISLAND
13TH (2020)
ACTS OF VIOLENCE (2018)
BILL & TED FACE THE MUSIC
BINGABLE: ABANDONED (2016)
BINGEABLE: Barry
BINGEABLE: CASA DE LAS FLORES
BINGEABLE: FLEABAG
BINGEABLE: NATIONAL GEOGRAPHIC DOCUMENTARIES
BINGEABLE: OUTLANDER (2014-present)
BINGEABLE: STRANGER THINGS 3
BINGEABLE: THE SINNER (SEASON 2)
BLAST FROM THE PAST: COOL RUNNINGS (1993)
BLAST FROM THE PAST: FISH TANK (2009)
BLAST FROM THE PAST: HOUSE
BLAST FROM THE PAST: OLDBOY
BLAST FROM THE PAST: RAIDERS OF THE LOST ARK
BLAST FROM THE PAST: THE MATRIX
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: WILD AT HEART
BLOW THE MAN DOWN
DA 5 BLOODS
DICK TRACY (1990)
FIRST COW
GREYHOUND
GUILTY PLEASURES: CHEER (2020)
HAVE A GOOD TRIP: ADVENTURES IN PSYCHEDELICS
HEARST CASTLE: BUILDING THE DREAM
I’M THINKING OF ENDING THINGS
JOJO RABBIT
JUST MERCY
LYING AND STEALING
ONLY
PALM SPRINGS
PROJECT POWER
SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE (2011)
THE BIGGEST LITTLE FARM
THE LOVEBIRDS
THE OLD GUARD
THE POSTCARD KILLINGS
THE VAST OF NIGHT
TREAD
TV REVIEW: BOSCH
TV REVIEW: CATCH-22
TV REVIEW: COBRA KAI
TV REVIEW: DEFENDING JACOB
TV REVIEW: FEAR CITY
TV REVIEW: GENERATION KILL (2008)
TV REVIEW: HANNIBAL (2013-2015)
TV REVIEW: HOMECOMING
TV REVIEW: I KNOW THIS MUCH IS TRUE
TV REVIEW: I MAY DESTROY YOU
TV REVIEW: I’LL BE GONE IN THE DARK
TV REVIEW: LENOX HILL
TV REVIEW: LITTLE AMERICA
TV REVIEW: LOVE ON THE SPECTRUM
TV REVIEW: MRS. AMERICA
TV REVIEW: NORMAL PEOPLE
TV REVIEW: PANDEMIC: HOW TO PREVENT AN OUTBREAK (2020)
TV REVIEW: PERRY MASON
TV REVIEW: RAMY
TV REVIEW: RUN
TV REVIEW: SPACE FORCE
TV REVIEW: TABOO
TV REVIEW: THE END OF THE F***ING WORLD
TV REVIEW: THE LAST KINGDOM
TV REVIEW: THE MIDNIGHT GOSPEL
TV REVIEW: THE MORNING SHOW
TV REVIEW: THE MOST DANGEROUS ANIMAL OF ALL
TV REVIEW: THE PLOT AGAINST AMERICA
TV REVIEW: THE VOW
TV REVIEW: UNDONE
TV REVIEW: WHAT WE DO IN THE SHADOWS
TV REVIEW: ZEROZEROZERO
UNDERRATED: BATMAN BEGINS
UNDERRATED: SHUTTER ISLAND
UNDERRATED: THE BATTERED BASTARDS OF BASEBALL
[UN]WELL

BLAST FROM THE PAST: RAIDERS OF THE LOST ARK

PHOTO BY COURTESY OF PARAMOUNT PICTURES

BLAST FROM THE PAST: RAIDERS OF THE LOST ARK


User Rating: 0.00 (0 Votes)

When? 1981
What’s it rated? PG
Where’s it available? Netflix, Amazon Prime, YouTube, iTunes

Nearly 40 years after its release, the opening sequence of Raiders of the Lost Ark is still as delightfully amazing as it ever was: A chiseled Indiana Jones (Harrison Ford) literally whipping a pistol out of a dude’s hand. Alfred Molina (our very own 2019 SLO Film Fest honoree) guiding Indy through a booby-trapped temple before stealing the golden idol and meeting his own demise. Indy out-running the most iconic boulder in cinematic history and diving into a moving seaplane as arrows are launched his way.

It is, without a doubt, one of the best openers in any movie ever, in one of the most storied films of all time. Helmed by George Lucas and Steven Spielberg, the first installment in the Indiana Jones franchise left an indelible mark on Hollywood and culture, and set the stage for many an action-adventure flick and hero to come.

Set in 1936, the film’s daring archaeologist is Jones, who without his fedora, bullwhip, and satchel is just another university professor in Connecticut. One day he’s paid a visit by two government officials, who fear the Nazis are in search of an ancient Egyptian staff that can be used to locate the Ark of the Covenant, an artifact with supposed powers of invincibility. Jones is asked to embark on a trip across the world to retrieve the ark before the Nazis can. In route, he links up with a former lover, Marion Ravenwood (Karen Allen), the daughter of a dead colleague; and a friend and digger, Sallah (John Rhys-Davies). The Nazis are led by their own archaeologist, Rene Belloq (Paul Freeman), and military official, Major Arnold Toht (a frightening Ronald Lacey), whose hunt for the ark parallels Jones’.

With a swift pace, fantastic effects (for the era), and a touch of comedy, Raiders takes you on a wild ride that thrills, scares, spooks, endears, and makes you laugh. Ford as Jones makes for a superhero match that I don’t know has been equaled in Hollywood since. Unflappably cool (except when snakes are involved), Indy evades death like he’s swatting flies, in a hilariously dry manner. We’ll watch this character do just about anything, but Lucas and Spielberg take Raiders to the next level with an original, interesting plot; impeccably done fight sequences; and visually stunning environments. The film was shot in San Francisco, Hawaii, France, and Tunisia, and its global atmosphere greatly enhances Raiders’ legacy, in my opinion.

With Hollywood continuing to push the envelope in the superhero genre—i.e., high-budget, DC Universe and Marvel Studio movies—I recommend taking a trip down memory lane to reconnect with some of our older superheroes. In some ways, the genre’s made a lot of leaps; in others, there’s still much to be learned from the past. (115 mins.)

—Peter Johnson









Weekly Poll
Should the county Public Health Department help elementary schools apply for the state’s waiver program?

Yes, that’s what the department is there for.
Schools shouldn’t open at all right now, nevermind with the county’s help.
If the state thinks schools are ready, what’s the problem?
Schools should have to fend for themselves; it shows whether they’re ready to handle reopening.

| Poll Results






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