Tuesday, April 20, 2021     Volume: 22, Issue: 7
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Santa Maria Sun / Film

This weeks review
BINGEABLE: BARRY
BINGEABLE: FLEABAG
BLAST FROM THE PAST: RAIDERS OF THE LOST ARK (1981)
BLAST FROM THE PAST: THE MATRIX
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: WILD AT HEART (1990)
BORAT SUBSEQUENT MOVIEFILM
BOSS LEVEL
GODZILLA VS. KONG
GUILTY PLEASURES: CHEER (2020)
HAVE A GOOD TRIP: ADVENTURES IN PSYCHEDELICS
HEARST CASTLE: BUILDING THE DREAM
I CARE A LOT
I’M THINKING OF ENDING THINGS
IRRESISTIBLE
JUDAS AND THE BLACK MESSIAH
LYING AND STEALING
NOBODY
NOMADLAND
PALMER
PROMISING YOUNG WOMAN
SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE (2011)
SOUL
SUPERINTELLIGENCE
THE BIGGEST LITTLE FARM
THE MAP OF TINY PERFECT THINGS
THE PROFESSOR AND THE MADMAN
THE SUNLIT NIGHT
THE WHITE TIGER
THE WOLF OF SNOW HOLLOW
TREAD
TV REVIEW: BATES MOTEL
TV REVIEW: DEFENDING JACOB
TV REVIEW: EVIL
TV REVIEW: FIREFLY LANE
TV REVIEW: HELL ON WHEELS (2011-2016)
TV REVIEW: HOMECOMING
TV REVIEW: HOW TO WITH JOHN WILSON
TV REVIEW: I KNOW THIS MUCH IS TRUE
TV REVIEW: I MAY DESTROY YOU
TV REVIEW: I’LL BE GONE IN THE DARK
TV REVIEW: LENOX HILL
TV REVIEW: LITTLE AMERICA
TV REVIEW: LOVECRAFT COUNTRY
TV REVIEW: MRS. AMERICA
TV REVIEW: ONE MISSISSIPPI
TV REVIEW: PAINTING WITH JOHN (2021)
TV REVIEW: RAMY
TV REVIEW: RUN
TV REVIEW: SERVANT
TV REVIEW: SPACE FORCE
TV REVIEW: TABOO
TV REVIEW: THE BOYS
TV REVIEW: THE END OF THE F***ING WORLD
TV REVIEW: THE FLIGHT ATTENDANT
TV REVIEW: THE LADY AND THE DALE (2021)
TV REVIEW: THE LAST KINGDOM
TV REVIEW: THE MIDNIGHT GOSPEL
TV REVIEW: THE MOST DANGEROUS ANIMAL OF ALL
TV REVIEW: THE NEW YORK TIMES PRESENTS FRAMING BRITNEY SPEARS (EPISODE 6) (2021)
TV REVIEW: THE PLOT AGAINST AMERICA
TV REVIEW: THE QUEEN’S GAMBIT
TV REVIEW: THE THIRD DAY
TV REVIEW: THE VOW
TV REVIEW: TREADSTONE (2019)
TV REVIEW: UNDONE
TV REVIEW: WANDAVISION
TV REVIEW: WARRIOR
TV REVIEW: WHAT WE DO IN THE SHADOWS
TV REVIEW: ZEROZEROZERO
UNDERRATED: BATMAN BEGINS (2005)
UNDERRATED: THE BATTERED BASTARDS OF BASEBALL (2014)
WEWORK: OR THE MAKING AND BREAKING OF A $47 BILLION UNICORN (2021)

BLAST FROM THE PAST: RAIDERS OF THE LOST ARK (1981)

PHOTO BY , COURTESY OF PARAMOUNT PICTURES

BLAST FROM THE PAST: RAIDERS OF THE LOST ARK (1981)


Where is it playing?: Netflix, Amazon Prime, YouTube, iTunes

What's it rated?: PG

User Rating: 0.00 (0 Votes)

Nearly 40 years after its release, the opening sequence of Raiders of the Lost Ark is still as delightfully amazing as it ever was: A chiseled Indiana Jones (Harrison Ford) literally whipping a pistol out of a dude’s hand. Alfred Molina (our very own 2019 SLO Film Fest honoree) guiding Indy through a booby-trapped temple before stealing the golden idol and meeting his own demise. Indy out-running the most iconic boulder in cinematic history and diving into a moving seaplane as arrows are launched his way.

It is, without a doubt, one of the best openers in any movie ever, in one of the most storied films of all time. Helmed by George Lucas and Steven Spielberg, the first installment in the Indiana Jones franchise left an indelible mark on Hollywood and culture, and set the stage for many an action-adventure flick and hero to come.

Set in 1936, the film’s daring archaeologist is Jones, who without his fedora, bullwhip, and satchel is just another university professor in Connecticut. One day he’s paid a visit by two government officials, who fear the Nazis are in search of an ancient Egyptian staff that can be used to locate the Ark of the Covenant, an artifact with supposed powers of invincibility. Jones is asked to embark on a trip across the world to retrieve the ark before the Nazis can. In route, he links up with a former lover, Marion Ravenwood (Karen Allen), the daughter of a dead colleague; and a friend and digger, Sallah (John Rhys-Davies). The Nazis are led by their own archaeologist, Rene Belloq (Paul Freeman), and military official, Major Arnold Toht (a frightening Ronald Lacey), whose hunt for the ark parallels Jones’.

With a swift pace, fantastic effects (for the era), and a touch of comedy, Raiders takes you on a wild ride that thrills, scares, spooks, endears, and makes you laugh. Ford as Jones makes for a superhero match that I don’t know has been equaled in Hollywood since. Unflappably cool (except when snakes are involved), Indy evades death like he’s swatting flies, in a hilariously dry manner. We’ll watch this character do just about anything, but Lucas and Spielberg take Raiders to the next level with an original, interesting plot; impeccably done fight sequences; and visually stunning environments. The film was shot in San Francisco, Hawaii, France, and Tunisia, and its global atmosphere greatly enhances Raiders’ legacy, in my opinion.

With Hollywood continuing to push the envelope in the superhero genre—i.e., high-budget, DC Universe and Marvel Studio movies—I recommend taking a trip down memory lane to reconnect with some of our older superheroes. In some ways, the genre’s made a lot of leaps; in others, there’s still much to be learned from the past. (115 mins.)

—Peter Johnson










Weekly Poll
Do you agree with the Santa Maria City Council's decision to regulate mobile car wash operations?

Yes. There's a reason the city receives lots of complaints about them.
No. These are people's livelihoods on the line, during a pandemic no less.
I understand the need to regulate, but I still want access to quick and easy car washing!
Car washes are a waste of money; just do it yourself.

| Poll Results






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