Sunday, April 5, 2020     Volume: 21, Issue: 5
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Santa Maria Sun / Film

This weeks review
1917
AD ASTRA
BINGABLE: ABANDONED (2016)
BINGABLE: DON’T F**K WITH CATS: HUNTING AN INTERNET KILLER (2019)
BINGEABLE: Barry
BINGEABLE: CASA DE LAS FLORES
BINGEABLE: FLEABAG
BINGEABLE: GRACE AND FRANKIE
BINGEABLE: NATIONAL GEOGRAPHIC DOCUMENTARIES
BINGEABLE: OUTLANDER (2014-present)
BINGEABLE: PRIDE AND PREJUDICE (1995)
BINGEABLE: RUSSIAN DOLL
BINGEABLE: STRANGER THINGS 3
BINGEABLE: THE PEOPLE V. O.J. SIMPSON: AMERICAN CRIME STORY
BINGEABLE: THE SINNER (SEASON 2)
BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN)
BLAST FROM THE PAST: COOL RUNNINGS (1993)
BLAST FROM THE PAST: FISH TANK (2009)
BLAST FROM THE PAST: HOUSE
BLAST FROM THE PAST: OLDBOY
BLAST FROM THE PAST: RAIDERS OF THE LOST ARK
BLAST FROM THE PAST: ROBOCOP
BLAST FROM THE PAST: THE MATRIX
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: WILD AT HEART
BLAST FROM THE PAST: YOU’VE GOT MAIL
BLOODSHOT
DOCTOR SLEEP
EMMA
FORD V FERRARI
GUILTY PLEASURE: THE HANGOVER
GUILTY PLEASURES: CHEER (2020)
GUILTY PLEASURES: GIRL MEETS WORLD (2014-2017)
HATEWATCH: 92ND ACADEMY AWARDS (2020)
HATEWATCH: NAILED IT!
HATEWATCH: THE WITCHER (2019)
HEARST CASTLE: BUILDING THE DREAM
I STILL BELIEVE
JOJO RABBIT
JOKER
KNIVES OUT
LITTLE WOMEN
MOTHERLESS BROOKLYN
ONCE UPON A TIME … IN HOLLYWOOD
ONWARD
THE ART OF RACING IN THE RAIN
THE BIGGEST LITTLE FARM
THE CALL OF THE WILD
THE GENTLEMEN
THE HUNT
THE INVISIBLE MAN
THE LIGHTHOUSE
THE PEANUT BUTTER FALCON
THE WAY BACK
TV REVIEW:
TV REVIEW: LITTLE FIRES EVERYWHERE
TV REVIEW: SELF MADE: INSPIRED BY THE LIFE OF MADAM C.J. WALKER
TV REVIEW: TABOO
TV REVIEW: WESTWORLD (Season 3 debut)
UNCUT GEMS
UNDERRATED: BATMAN BEGINS
UNDERRATED: DOUBLE DRAGON (1994)
UNDERRATED: INSOMNIA
UNDERRATED: SHUTTER ISLAND
UNDERRATED: THE BATTERED BASTARDS OF BASEBALL
UNDERRATED: THE FALLING
YESTERDAY
ZOMBIELAND: DOUBLE TAP

BINGEABLE: STRANGER THINGS 3

PHOTO BY COURTESY OF NETFLIX

BINGEABLE: STRANGER THINGS 3


Where is it playing?: Netflix

What's it rated?: TV-14

User Rating: 0.00 (0 Votes)

The Upside Down is back, and America’s most cursed fictional town, Hawkins, Indiana, is in for another wonderfully frightening whirlwind of drama and destruction, in the third installment of Netflix’s Stranger Things, which came out July 4.

Co-creators Matt and Ross Duffer made a huge splash with the show’s first season in 2016 by combining ’80s culture, kid heroes, and sci-fi drama to create a highly relatable small town with big, supernatural problems. The crux of the show is basically that a nearby secret government lab has caused a fissure in reality, opening up a dangerous parallel universe containing violent monsters that want to enter our world and destroy us.

Season three is set in the summer of 1985, mere months after the dramatic events of second season (which I won’t spoil). The first thing you’ll notice here is that our endearing youth leads are getting older. Adolescent-aged Eleven (Millie Bobby Brown) and Mike (Finn Wolfhard) are now an inseparable couple, as are Lucas (Caleb McLaughlin) and Maxine (Sadie Sink), and the slightly older Nancy (Natalia Dyer) and Jonathan (Charlie Heaton).

Love is in the air—and the kids are enjoying the arrival of a new mega-mall in town, which, side story, is destroying Hawkins’ local economy—but we know all isn’t right. Our troubled protagonist, Will (Noah Schnapp), starts sensing a dark presence that’s familiar and unmistakable. His inklings are backed by inexplicable power outages and strange happenings with rabid rats. Nancy, an aspiring reporter who’s working as an intern at the horribly sexist Hawkins Post, begins investigating. Then, lovable nerd Dustin (Gaten Matarazzo) picks up a cryptic Russian communication over a radio transmitter that he built at science camp, which sends him, Steve (Joe Keery), Robin (newcomer and scene-stealing Maya Hawke), and Lucas’ precocious sister, 10-year-old Erica (Priah Ferguson), on a mission to crack the code.

In essence, the Russians are trying to secretly re-penetrate the closed gate to the Upside Down, with a plasma-looking weapon. The gate isn’t totally open yet, but the two worlds are starting to intermingle once again. I don’t want to spoil much more about the plot than this. Episode by episode, the mystery unfolds in a really spectacular way.

I was critical of Stranger Things’ season two for having a slower pace and too many story lines. This new season also has a slow build and seemingly dozens of story arcs—for even more characters! But it’s much better executed this time around. Everything weaves together into a cohesive whole, and the story progresses like a riveting spy novel, with special effects. The Duffer Brothers smartly lean heavily this season on the charisma of their characters, who are growing up before our eyes. The supporting cast delivers great performances, too, from Maxine’s brother, Billy (a fantastic Dacre Montgomery), who becomes the human face of the villainous Upside Down, to eccentric investigator Murray Bauman (Brett Gelman), the only man in town to fluently speak Russian. This is an incredibly fun, heartfelt ride you don’t want to miss this summer. (eight episodes, 45 min.) 

—Peter Johnson








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