Monday, August 19, 2019     Volume: 20, Issue: 24
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Santa Maria Sun / Film

This weeks review
AVENGERS: ENDGAME
BINGEABLE: A.P. BIO
BINGEABLE: Barry
BINGEABLE: FLEABAG
BINGEABLE: GRACE AND FRANKIE
BINGEABLE: Green Porno
BINGEABLE: RUSSIAN DOLL
BINGEABLE: STRANGER THINGS 3
BINGEABLE: STREET FOOD
BLAST FROM THE PAST: RAIDERS OF THE LOST ARK
BLAST FROM THE PAST: THE MATRIX
CRAWL
DARK PHOENIX
DORA AND THE LOST CITY OF GOLD
FAST & FURIOUS PRESENTS: HOBBS & SHAW
GOOD BOYS
HATEWATCH: CHOPPED
HATEWATCH: FRANKENSTEIN’S MONSTER’S MONSTER, FRANKENSTEIN
HEARST CASTLE: BUILDING THE DREAM
MA
MIDSOMMAR
ONCE UPON A TIME … IN HOLLYWOOD
SCARY STORIES TO TELL IN THE DARK
SPIDER-MAN: FAR FROM HOME
THE ANGRY BIRDS MOVIE 2
THE ART OF RACING IN THE RAIN
THE BIGGEST LITTLE FARM
THE HANGOVER
THE LION KING
TOY STORY 4
UNDERRATED: SHUTTER ISLAND
UNDERRATED: THE BATTERED BASTARDS OF BASEBALL
UNDERRATED: THE FALLING
WHERE’D YOU GO, BERNADETTE
WILD ROSE
YESTERDAY

BINGEABLE: FLEABAG

PHOTO BY COURTESY OF TWO BROTHERS PICTURES

BINGEABLE: FLEABAG


Where is it playing?: Amazon Prime

What's it rated?: TV-MA

User Rating: 0.00 (0 Votes)

Fleabag is the funniest thing on TV right now—a bone-dry British comedy-drama about a selfish, angry, sexually voracious but nameless woman (Phoebe Waller-Bridge), who’s floundering through life. She can’t hold down a relationship, though she strings along her ex-boyfriend, Harry (Hugh Skinner), whenever she needs a booty call—that’s when she’s not shagging one of her other love interests like Arsehole Guy (Ben Aldridge), Bus Rodent (Jamie Demetriou), or the Catholic priest (Andrew Scott) she falls for in Season 2.

Created by Waller-Bridge from her one-woman play she debuted at the 2013 Edinburgh Festival Fringe, the program’s hallmark is the way the lead character breaks the fourth wall, looking directly into the camera and speaking to the audience. Waller-Bridge’s comic timing, facial expressions, and these fourth-wall asides are simply brilliant. They allow her to make a running commentary on her life’s travails, of which there are many.

Much of the drama stems from the lead character’s relationship with her much more successful but just as unhappy sister, Claire (Sian Clifford), and her exasperated father (Bill Paterson) and the sisters’ godmother (Olivia Colman), who took up with their father upon their mother’s death. Claire’s loutish, alcoholic husband, Martin (Brett Gelman), also manages to generate a lot of drama. The family’s dysfunction is spellbinding! The tension between the various characters is pushed below the surface in that most British of ways. Sarcasm has never sounded so polite.

The lead character, let’s just call her Fleabag, runs a small and largely unsuccessful café that she started with her best friend, Boo (Jenny Rainsford), who’s deceased but visits Fleabag in her head, conjured by some guilt Fleabag harbors, which is slowly revealed over the first two seasons. The show plays like a comedy but exposes itself as a tragedy, which helps explain Fleabag’s abhorrent behavior—she’s recovering from a deep psychological trauma.

I’ve come late to this game. The first season’s six episodes aired in 2016, and I didn’t discover the show until recently, upon the release of the second season’s six episodes. With brief 23- to 28-minute run times, I gobbled up the first season one day and the second the next, and I hope there’s more on the horizon and we don’t have to wait three years for them.

This is hilarious, devastating TV, and it’s certainly deserving of its 100 percent Rotten Tomatoes critic score. Laughs are followed by poignant moments, and Waller-Bridge is so charismatic and likable, bringing a deep humanity to her irreverent and broken character. This show bears repeated viewing. (12 episodes) 




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