Monday, February 6, 2023     Volume: 23, Issue: 49
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Santa Maria Sun / Film

This weeks review
MISSING
A MAN CALLED OTTO
A QUIET PLACE PART II
AMSTERDAM
ANOTHER ROUND
BARBARIAN
BINGEABLE: 100 FOOT WAVE (2021)
BINGEABLE: 1923 (2022-present)
BINGEABLE: A FRIEND OF THE FAMILY (2022)
BINGEABLE: A LEAGUE OF THEIR OWN (2022)
BINGEABLE: ANATOMY OF A SCANDAL (2022)
BINGEABLE: ANDOR (2022-present)
BINGEABLE: BARRY (2018-present)
BINGEABLE: BLACK BIRD (2022)
BINGEABLE: BLACK SUMMER (2019-2021)
BINGEABLE: CASTLEVANIA (2017-2021)
BINGEABLE: CHEER (2020-present)
BINGEABLE: ECHO 3 (2022)
BINGEABLE: FLEABAG (2016-2019)
BINGEABLE: FLEISHMAN IS IN TROUBLE (2022)
BINGEABLE: GOSSIP GIRL (2021-present)
BINGEABLE: HACKS (2021-present)
BINGEABLE: INSIDE MAN (2022)
BINGEABLE: JOE PICKETT (2021)
BINGEABLE: KUNG FU (2021)
BINGEABLE: LAST LIGHT (2022)
BINGEABLE: LIFE & BETH (2022)
BINGEABLE: MAID (2021)
BINGEABLE: MIDNIGHT MASS (2021)
BINGEABLE: ONLY MURDERS IN THE BUILDING (SEASON 2) (2022)
BINGEABLE: SLOW HORSES (2022)
BINGEABLE: SQUID GAME (2021)
BINGEABLE: STATION ELEVEN (2021)
BINGEABLE: SWEET TOOTH
BINGEABLE: TELL ME YOUR SECRETS (2021)
BINGEABLE: THE BEAR (2022)
BINGEABLE: THE ENGLISH (2022)
BINGEABLE: THE GREAT (2020-present)
BINGEABLE: THE WHITE LOTUS (SEASON 2) (2022)
BINGEABLE: THREE PINES (2022-present)
BINGEABLE: TULSA KING (2022-2023)
BINGEABLE: WEDNESDAY (2022)
BINGEABLE: WELCOME TO WREXHAM (2022-present)
BINGEABLE: WILLOW (2022)
BINGEABLE: YELLOWJACKETS (2021-present)
BLACK PANTHER: WAKANDA FOREVER
BLAST FROM THE PAST: A.I. ARTIFICIAL INTELLIGENCE (2001)
BLAST FROM THE PAST: COWBOY BEBOP (1998)
BLAST FROM THE PAST: THE MATRIX (1999)
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: THE SHOOTING (1966)
BLAST FROM THE PAST: WILD AT HEART (1990)
ENOLA HOLMES 2
GLASS ONION: A KNIVES OUT MYSTERY
GUILLERMO DEL TORO’S PINOCCHIO
GUILTY PLEASURES: GUNPOWDER MILKSHAKE
GUILTY PLEASURES: JOLT
HAVE A GOOD TRIP: ADVENTURES IN PSYCHEDELICS
HEARST CASTLE: BUILDING THE DREAM (1996)
I CARE A LOT
I’M THINKING OF ENDING THINGS
NEW FLICKS: ANTLERS
NEW FLICKS: BABYLON
NEW FLICKS: BEST SELLERS
NEW FLICKS: BULLET TRAIN
NEW FLICKS: CAUSEWAY
NEW FLICKS: CRUELLA
NEW FLICKS: DAY SHIFT
NEW FLICKS: DISENCHANTED
NEW FLICKS: FINCH
NEW FLICKS: FRESH
NEW FLICKS: GEORGE CARLIN’S AMERICAN DREAM (2022)
NEW FLICKS: HUSTLE
NEW FLICKS: I WANT YOU BACK
NEW FLICKS: KATE
NEW FLICKS: MONTANA STORY
NEW FLICKS: MY POLICEMAN
NEW FLICKS: PREY
NEW FLICKS: RED NOTICE
NEW FLICKS: SIGNIFICANT OTHER
NEW FLICKS: THE GOOD NURSE
NEW FLICKS: THE GRAY MAN
NEW FLICKS: THE NORTHMAN
NEW FLICKS: THE OUTFIT
NEW FLICKS: THIRTEEN LIVES
NEW FLICKS: WATERMAN (2021)
NINE PERFECT STRANGERS (2021)
PIG
THE BATMAN
THE BIGGEST LITTLE FARM (2019)
THE MAP OF TINY PERFECT THINGS
THE MENU
THE PAPER TIGERS
THE SUNLIT NIGHT
THE WHALE
THE WOMAN KING
THREE THOUSAND YEARS OF LONGING
TV REVIEW: BATES MOTEL
TV REVIEW: DEFENDING JACOB
TV REVIEW: HOMECOMING
TV REVIEW: HOW TO WITH JOHN WILSON
TV REVIEW: LENOX HILL
TV REVIEW: LITTLE AMERICA
TV REVIEW: MRS. AMERICA
TV REVIEW: ONE MISSISSIPPI
TV REVIEW: PAINTING WITH JOHN (2021)
TV REVIEW: RAMY
TV REVIEW: RUN
TV REVIEW: SPACE FORCE
TV REVIEW: TED LASSO (2020-present)
TV REVIEW: THE BOYS
TV REVIEW: THE END OF THE F***ING WORLD
TV REVIEW: THE FLIGHT ATTENDANT
TV REVIEW: THE LAST KINGDOM
TV REVIEW: THE MIDNIGHT GOSPEL
TV REVIEW: THE QUEEN’S GAMBIT
TV REVIEW: UNDONE
TV REVIEW: WARRIOR
TV REVIEW: WHAT WE DO IN THE SHADOWS
TV REVIEW: ZEROZEROZERO
UNDERRATED: BATMAN BEGINS (2005)
UNDERRATED: ZOLA (2020)
WHITE NOISE

BINGEABLE: FLEABAG (2016-2019)

PHOTO BY COURTESY OF TWO BROTHERS PICTURES

BINGEABLE: FLEABAG (2016-2019)


Where is it playing?: Amazon Prime

What's it rated?: TV-MA

User Rating: 7.50 (1 Votes)

Fleabag is the funniest thing on TV right now—a bone-dry British comedy-drama about a selfish, angry, sexually voracious but nameless woman (Phoebe Waller-Bridge), who’s floundering through life. She can’t hold down a relationship, though she strings along her ex-boyfriend, Harry (Hugh Skinner), whenever she needs a booty call—that’s when she’s not shagging one of her other love interests like Arsehole Guy (Ben Aldridge), Bus Rodent (Jamie Demetriou), or the Catholic priest (Andrew Scott) she falls for in Season 2.

Created by Waller-Bridge from her one-woman play she debuted at the 2013 Edinburgh Festival Fringe, the program’s hallmark is the way the lead character breaks the fourth wall, looking directly into the camera and speaking to the audience. Waller-Bridge’s comic timing, facial expressions, and these fourth-wall asides are simply brilliant. They allow her to make a running commentary on her life’s travails, of which there are many.

Much of the drama stems from the lead character’s relationship with her much more successful but just as unhappy sister, Claire (Sian Clifford), and her exasperated father (Bill Paterson) and the sisters’ godmother (Olivia Colman), who took up with their father upon their mother’s death. Claire’s loutish, alcoholic husband, Martin (Brett Gelman), also manages to generate a lot of drama. The family’s dysfunction is spellbinding! The tension between the various characters is pushed below the surface in that most British of ways. Sarcasm has never sounded so polite.

The lead character, let’s just call her Fleabag, runs a small and largely unsuccessful café that she started with her best friend, Boo (Jenny Rainsford), who’s deceased but visits Fleabag in her head, conjured by some guilt Fleabag harbors, which is slowly revealed over the first two seasons. The show plays like a comedy but exposes itself as a tragedy, which helps explain Fleabag’s abhorrent behavior—she’s recovering from a deep psychological trauma.

I’ve come late to this game. The first season’s six episodes aired in 2016, and I didn’t discover the show until recently, upon the release of the second season’s six episodes. With brief 23- to 28-minute run times, I gobbled up the first season one day and the second the next, and I hope there’s more on the horizon and we don’t have to wait three years for them.

This is hilarious, devastating TV, and it’s certainly deserving of its 100 percent Rotten Tomatoes critic score. Laughs are followed by poignant moments, and Waller-Bridge is so charismatic and likable, bringing a deep humanity to her irreverent and broken character. This show bears repeated viewing. (12 episodes) 










Weekly Poll
What do you think about new legislation that would require Narcan at all public school sites?

Narcan's a life-saving measure, necessary in all public spaces.
It's a good idea and will provide extra safety at schools.
Not sure. It's an important step, but we should focus on keeping opioids out of schools.
It's not necessary.

| Poll Results






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