Sunday, March 7, 2021     Volume: 21, Issue: 53
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Santa Maria Sun / Film

This weeks review
BEST WISHES, WARMEST REGARDS: A SCHITT’S CREEK FAREWELL
BINGABLE: ABANDONED (2016)
BINGEABLE: BARRY
BINGEABLE: FLEABAG
BINGEABLE: NATIONAL GEOGRAPHIC DOCUMENTARIES
BINGEABLE: OUTLANDER (2014-present)
BINGEABLE: STRANGER THINGS 3
BINGEABLE: THE SINNER (SEASON 2)
BLAST FROM THE PAST: RAIDERS OF THE LOST ARK (1981)
BLAST FROM THE PAST: THE MATRIX
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: WILD AT HEART (1990)
BORAT SUBSEQUENT MOVIEFILM
ENOLA HOLMES
GREENLAND
GUILTY PLEASURES: CHEER (2020)
HAVE A GOOD TRIP: ADVENTURES IN PSYCHEDELICS
HEARST CASTLE: BUILDING THE DREAM
I’M THINKING OF ENDING THINGS
JUDAS AND THE BLACK MESSIAH
LET HIM GO
LYING AND STEALING
PALMER
SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE (2011)
SOUL
SUPERINTELLIGENCE
THE BIGGEST LITTLE FARM
THE DIG
THE LITTLE THINGS
THE MIDNIGHT SKY
THE PROFESSOR AND THE MADMAN
THE WHITE TIGER
THE WOLF OF SNOW HOLLOW
TREAD
TV REVIEW: BATES MOTEL
TV REVIEW: BOSCH
TV REVIEW: DEFENDING JACOB
TV REVIEW: EUPHORIA
TV REVIEW: EVIL
TV REVIEW: HELL ON WHEELS (2011-2016)
TV REVIEW: HOMECOMING
TV REVIEW: HOW TO WITH JOHN WILSON
TV REVIEW: I KNOW THIS MUCH IS TRUE
TV REVIEW: I MAY DESTROY YOU
TV REVIEW: I’LL BE GONE IN THE DARK
TV REVIEW: LENOX HILL
TV REVIEW: LITTLE AMERICA
TV REVIEW: LOVECRAFT COUNTRY
TV REVIEW: MRS. AMERICA
TV REVIEW: ONE MISSISSIPPI
TV REVIEW: PAINTING WITH JOHN (2021)
TV REVIEW: RAMY
TV REVIEW: RUN
TV REVIEW: SEARCH PARTY
TV REVIEW: SPACE FORCE
TV REVIEW: TABOO
TV REVIEW: THE BOYS
TV REVIEW: THE END OF THE F***ING WORLD
TV REVIEW: THE FLIGHT ATTENDANT
TV REVIEW: THE LAST KINGDOM
TV REVIEW: THE MIDNIGHT GOSPEL
TV REVIEW: THE MORNING SHOW
TV REVIEW: THE MOST DANGEROUS ANIMAL OF ALL
TV REVIEW: THE NEW YORK TIMES PRESENTS FRAMING BRITNEY SPEARS (EPISODE 6) (2021)
TV REVIEW: THE PLOT AGAINST AMERICA
TV REVIEW: THE QUEEN’S GAMBIT
TV REVIEW: THE THIRD DAY
TV REVIEW: THE VOW
TV REVIEW: TREADSTONE (2019)
TV REVIEW: UNDONE
TV REVIEW: WHAT WE DO IN THE SHADOWS
TV REVIEW: ZEROZEROZERO
UNCLE FRANK
UNDERRATED: BATMAN BEGINS (2005)
UNDERRATED: THE BATTERED BASTARDS OF BASEBALL (2014)
WOUNDED HEROES

BINGEABLE: BARRY

PHOTO BY COURTESY OF ALEC BERG PRODUCTIONS

BINGEABLE: BARRY


Where is it playing?: HBO Max

What's it rated?: MA

User Rating: 7.50 (1 Votes)

If you’re a Saturday Night Live fan of any kind—like, even if you just stumble upon a sketch on social media once every few months—you probably know who Bill Hader is.

He’s the brain behind unforgettable, larger-than-life character Stefon, a flamboyant New Yorker and frequent guest at the Weekend Update desk, where he gives mind-bending, coked-out descriptions of what he currently considers to be “New York’s hottest club.” As an SNL cast member from 2005 to 2013, Hader became famous for other similar characters and his incredibly accurate impressions, and throughout that time, he also appeared in quirky box office hits like Superbad (2007), Hot Rod (2007), and Tropic Thunder (2008).

Now, long after his days performing at 30 Rock, Hader is gaining a different kind of notoriety for his new show: Barry.

In Barry, which Hader co-created, writes, directs, and stars in, Hader plays—you guessed it—Barry, a depressed war veteran turned hitman who, despite a knack for efficient killing, is grappling with the meaninglessness of his life and all the pain he’s caused.

When he’s sent by a mobster to kill an actor wannabe in Los Angeles, Barry follows the mark to an acting class, where he finds himself intoxicated by the thrilling and often emotional structure of the class, and its group of hopeful and cheery students. Barry instantly falls for an especially devoted student, Sally (Sarah Goldberg), and the feeling of finally fitting in somewhere, so he trades in his gun for a script.

But as we all know (thanks to mandatory elementary school theater productions), acting isn’t all that easy, and (thanks to Hollywood’s obsession with violence) we also know you can’t just suddenly leave a life of crime behind. Naturally, Barry faces a number of obstacles both on the stage and in burying his secret life.

Moments between Hader and other cast members—Henry Winkler (Happy Days, Heroes) plays Barry’s money grubbing but passionate acting coach, and Stephen Root (Dodgeball: A True Underdog Story, Office Space) is wonderful as Barry’s best friend and partner in crime, literally—make for belly-jiggling comedy.

Yet the show isn’t at all what you’d expect, in terms of its actors’ performances, plot, or character development. Every episode brings something completely fresh to the table, and the show, which is in the midst of airing its second season, only gets more difficult to pin down with each passing week.

Hader is especially unpredictable in Barry, almost entirely setting aside his typical ridiculousness, leaving space to showcase his character’s inner turmoil. And unlike his character, Hader has talent.

There’s a reason this show’s first season was critically acclaimed, why it racked up wins at the 2018 Emmy Awards, and has a 99 percent rating on Rotten Tomatoes: It’s fantastic.










Weekly Poll
Where should Santa Barbara County be focusing its efforts to help the local homeless community?

Strengthen partnerships with existing organizations and shelters.
Revamp the once-successful safe parking program.
Provide temporary housing in hotels.
Secure federal funding to get more relief projects off the ground.

| Poll Results






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