Saturday, April 4, 2020     Volume: 21, Issue: 5
Signup

Santa Maria Sun / Film

This weeks review
1917
AD ASTRA
BINGABLE: ABANDONED (2016)
BINGABLE: DON’T F**K WITH CATS: HUNTING AN INTERNET KILLER (2019)
BINGEABLE: Barry
BINGEABLE: CASA DE LAS FLORES
BINGEABLE: FLEABAG
BINGEABLE: GRACE AND FRANKIE
BINGEABLE: NATIONAL GEOGRAPHIC DOCUMENTARIES
BINGEABLE: OUTLANDER (2014-present)
BINGEABLE: PRIDE AND PREJUDICE (1995)
BINGEABLE: RUSSIAN DOLL
BINGEABLE: STRANGER THINGS 3
BINGEABLE: THE PEOPLE V. O.J. SIMPSON: AMERICAN CRIME STORY
BINGEABLE: THE SINNER (SEASON 2)
BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN)
BLAST FROM THE PAST: COOL RUNNINGS (1993)
BLAST FROM THE PAST: FISH TANK (2009)
BLAST FROM THE PAST: HOUSE
BLAST FROM THE PAST: OLDBOY
BLAST FROM THE PAST: RAIDERS OF THE LOST ARK
BLAST FROM THE PAST: ROBOCOP
BLAST FROM THE PAST: THE MATRIX
BLAST FROM THE PAST: THE PRESTIGE (2006)
BLAST FROM THE PAST: WILD AT HEART
BLAST FROM THE PAST: YOU’VE GOT MAIL
BLOODSHOT
DOCTOR SLEEP
EMMA
FORD V FERRARI
GUILTY PLEASURE: THE HANGOVER
GUILTY PLEASURES: CHEER (2020)
GUILTY PLEASURES: GIRL MEETS WORLD (2014-2017)
HATEWATCH: 92ND ACADEMY AWARDS (2020)
HATEWATCH: NAILED IT!
HATEWATCH: THE WITCHER (2019)
HEARST CASTLE: BUILDING THE DREAM
I STILL BELIEVE
JOJO RABBIT
JOKER
KNIVES OUT
LITTLE WOMEN
MOTHERLESS BROOKLYN
ONCE UPON A TIME … IN HOLLYWOOD
ONWARD
THE ART OF RACING IN THE RAIN
THE BIGGEST LITTLE FARM
THE CALL OF THE WILD
THE GENTLEMEN
THE HUNT
THE INVISIBLE MAN
THE LIGHTHOUSE
THE PEANUT BUTTER FALCON
THE WAY BACK
TV REVIEW:
TV REVIEW: LITTLE FIRES EVERYWHERE
TV REVIEW: SELF MADE: INSPIRED BY THE LIFE OF MADAM C.J. WALKER
TV REVIEW: TABOO
TV REVIEW: WESTWORLD (Season 3 debut)
UNCUT GEMS
UNDERRATED: BATMAN BEGINS
UNDERRATED: DOUBLE DRAGON (1994)
UNDERRATED: INSOMNIA
UNDERRATED: SHUTTER ISLAND
UNDERRATED: THE BATTERED BASTARDS OF BASEBALL
UNDERRATED: THE FALLING
YESTERDAY
ZOMBIELAND: DOUBLE TAP

BINGEABLE: Barry

PHOTO BY COURTESY OF ALEC BERG PRODUCTIONS

BINGEABLE: Barry


Where is it playing?: HBO Go, HBO Now, Amazon Prime

What's it rated?: MA

User Rating: 0.00 (0 Votes)

If you’re a Saturday Night Live fan of any kind—like, even if you just stumble upon a sketch on social media once every few months—you probably know who Bill Hader is.

He’s the brain behind unforgettable, larger-than-life character Stefon, a flamboyant New Yorker and frequent guest at the Weekend Update desk, where he gives mind-bending, coked-out descriptions of what he currently considers to be “New York’s hottest club.” As an SNL cast member from 2005 to 2013, Hader became famous for other similar characters and his incredibly accurate impressions, and throughout that time, he also appeared in quirky box office hits like Superbad (2007), Hot Rod (2007), and Tropic Thunder (2008).

Now, long after his days performing at 30 Rock, Hader is gaining a different kind of notoriety for his new show: Barry.

In Barry, which Hader co-created, writes, directs, and stars in, Hader plays—you guessed it—Barry, a depressed war veteran turned hitman who, despite a knack for efficient killing, is grappling with the meaninglessness of his life and all the pain he’s caused.

When he’s sent by a mobster to kill an actor wannabe in Los Angeles, Barry follows the mark to an acting class, where he finds himself intoxicated by the thrilling and often emotional structure of the class, and its group of hopeful and cheery students. Barry instantly falls for an especially devoted student, Sally (Sarah Goldberg), and the feeling of finally fitting in somewhere, so he trades in his gun for a script.

But as we all know (thanks to mandatory elementary school theater productions), acting isn’t all that easy, and (thanks to Hollywood’s obsession with violence) we also know you can’t just suddenly leave a life of crime behind. Naturally, Barry faces a number of obstacles both on the stage and in burying his secret life.

Moments between Hader and other cast members—Henry Winkler (Happy Days, Heroes) plays Barry’s money grubbing but passionate acting coach, and Stephen Root (Dodgeball: A True Underdog Story, Office Space) is wonderful as Barry’s best friend and partner in crime, literally—make for belly-jiggling comedy.

Yet the show isn’t at all what you’d expect, in terms of its actors’ performances, plot, or character development. Every episode brings something completely fresh to the table, and the show, which is in the midst of airing its second season, only gets more difficult to pin down with each passing week.

Hader is especially unpredictable in Barry, almost entirely setting aside his typical ridiculousness, leaving space to showcase his character’s inner turmoil. And unlike his character, Hader has talent.

There’s a reason this show’s first season was critically acclaimed, why it racked up wins at the 2018 Emmy Awards, and has a 99 percent rating on Rotten Tomatoes: It’s fantastic.








Weekly Poll
What has you most worried as coronavirus cautions continue?

I'm afraid that I or someone close to me will get sick.
The government isn't telling us everything we need to know.
People in my neighborhood aren't sheltering at home.
The possibility that Netflix and Amazon could crash.

| Poll Results






My 805 Tix - Tickets to upcoming events