![]() Special Features Special Publications |
Santa Maria Sun / ArtThe following articles were printed from Santa Maria Sun [santamariasun.com] - Volume 10, Issue 52
Range of motionAllan Hancock College dance students get their dance shoes ready for the spring DanceBY SHELLY CONE
The show has students logging dozens of toe-tapping hours in addition to their regular dance curriculum, but the effort will be, for many, their first exposure to the performance side of dance. Some students will be choreographing for the first time. Others are facing their first performance in front of an audience. All of them will gain insight from an exchange of beginners’ ideas and staff and veteran student dancers’ experience. The show will mix 11 original dances choreographed by faculty and students, covering a broad spectrum of styles: ballet, jazz, modern, tap, character dance, and hip hop. Faculty member Larissa Nazarenko will direct a cast of more than 50 dancers. She’ll also choreograph, as well as perform in a piece. “We try to represent all styles of dancing and employ all different levels of dancers,” she said. Nazarenko joins a crew of talented staff and student choreographers, including Kellie Claverie, Kimberly Eaton, Courtney Grimnes, Horacio Heredia, Zheila Pouraghabagher, and Ben Reyes. Student choreographers contributing work are Jonathan Calderwood, Jeff Larsen, Brent Lewis, and Courtney Rosemont. The long hours of practice and rehearsal aren’t the only challenges in putting on Dance Spectrum. This year, students are anticipating a potentially smaller audience. “It’s been tough selling tickets,” Nazarenko said. “Usually by this time we would have a lot more tickets sold.” “Dance students need to perform on stage to be completely trained,” she said. “They need to get that experience on stage.” Courtney Rosemont is one of those students. In her second semester in the dance program, Rosemont has been a performer but tried her hand at choreography for Dance Spectrum. Her piece is tap with a mixture of jazz fusion. For sound, she wanted something bigger, something electronic, and something with very particular beats and sporadic sounds that would blend with the percussion of tap shoes. Her vision included a variety of elements that seemed difficult to blend, but ended up doing so seamlessly. “It’s kind of chaotic in a sense of how the different sounds go together, but it totally works,” Rosemont said. The whole process didn’t go as smoothly, however. Rosemont said she gained a new appreciation for choreography because of the challenges she had to overcome for Dance Spectrum, mostly in bringing an “My problem is I forget what the body can really do,” she said. “I think of these extravagant ideas and I think, ‘Yeah, that can work,’ and I try it out on people, and people aren’t Play-Doh.” Even though some of her dance moves didn’t necessarily translate well from idea to application, they still resulted in an outstanding routine, Rosemont said. “Those challenges result in something really beautiful,” she explained. “You get to see what the body does to compensate for what it can’t do; it sometimes results in something even better.” Arts Editor Shelly Cone often has trouble bringing ideas out of her head and putting them on paper. Contact her at scone@santamariasun.com. |
Cougars & Mustangs
The price of civility - County Civil Service commissioners respond to accusations they're 'out of control'
Pismo Beach expansion postponed - Doubts about the water supply cast a shadow over development
Lucia Mar breaks ground on New Tech High
Commission finalizes PG&E Diablo denial
A menacing animal ordinance is on the way
County Planning Commission suggests redefining recreation
|